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University of Illinois at Urbana-Champaign
The Symphonies of Johann Michael Haydn: A Chronological Perspective Using Theories of Joseph Riepel and Heinrich Christoph Koch
Abstract
dc:descriptionBy an extrapolation of eighteenth-century theories of melody, this study was able to accomplish a more precise application of eighteenth-century musical thinking as shown in a large body of work by one composer. The application of these theories meets the challenge as a useful and reliably pedagogical guide to the music of their time as alternatives to the theories of the last two centuries, which were foreign to eighteenth-century thinking. Joseph Riepel's and Heinrich Christoph Koch's theories have a historical relevance to the study of music of Michael Haydn and his eighteenth-century contemporaries.
Degree
thesis:*- Name thesis:degree_name
- Ph.D.
- Level thesis:degree_level
- Dissertation
- Discipline thesis:degree_discipline
- Music
- Grantor
- University of Illinois at Urbana-Champaign
- Year dc:date
- 2015
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Hellenbrand, Gregory Thomas
- Contributors dc:contributor
-
- Hill, John Walter
Subjects
dc:subject × 1Rights
- Language dc:language
- eng
Identifiers
dc:identifier.*- Identifier
- (MiAaPQ)AAI3242868
- OAI identifier oai:identifier
- oai:www.ideals.illinois.edu:2142/85774