Global ETD Search

Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.

Results

Showing 1 to 20 of 53 for “"Haydn"”.

  1. Joseph Haydn and the dramma giocoso

    Haydn's thirteen extant Esterhazy operas, composed from 1762-85, represent a microcosm of the various trends in Italian opera during the eighteenth century. His early operas illustrate his understanding and mastery of the opera seria, the intermezzo and the opera buffa traditions which he would …

    uvic Repository record for Joseph Haydn and the dramma giocoso (opens in a new tab)

  2. A Study of Tempo Deviations in Recorded Performances of Selected Symphonies by Haydn and Mozart

    Made available in DSpace on 2014-12-09T19:39:41Z (GMT). No. of bitstreams: 1 6500851.pdf: 12564762 bytes, checksum: 86f667b7fdb3ee6fcc8de9ecf7284257 (MD5) Previous issue date: 1964

    uiuc Repository record for A Study of Tempo Deviations in Recorded Performances of Selected Symphonies by Haydn and Mozart (opens in a new tab)

  3. A collection of cadenzas for the trumpet concertos of Franz Joseph Haydn and Johann Nepomuk Hummel

    The Haydn Trumpet Concerto and the Hummel Trumpet Concerto are two of the most important concertos in the solo trumpet repertoire and the cadenza reflects the performer's personality and technical abilities. There have been numerous recordings of the two concertos and they are consistently used in …

    ballstate-thes Repository record for A collection of cadenzas for the trumpet concertos of Franz Joseph Haydn and Johann Nepomuk Hummel (opens in a new tab)

  4. Some Aspects of Melodic Structure and Style in the Early and Middle-Period Keyboard Sonatas of Joseph Haydn

    Made available in DSpace on 2014-12-09T19:40:13Z (GMT). No. of bitstreams: 1 7105025.pdf: 6284960 bytes, checksum: ca30be7f435a4672c6f4f8cff3259d9c (MD5) Previous issue date: 1970

    uiuc Repository record for Some Aspects of Melodic Structure and Style in the Early and Middle-Period Keyboard Sonatas of Joseph Haydn (opens in a new tab)

  5. A Performance Interpretation of the Concerto in E Flat Major by Joseph Haydn Based on Contemporaneous Writings and Period Performance Practice

    … the development of a personal interpretation of Haydn's trumpet concerto. In addition, the idiomatic features of Classical compositions for keyed trumpet are identified and contrasted with those of works for natural trumpet.

    uiuc Repository record for A Performance Interpretation of the Concerto in E Flat Major by Joseph Haydn Based on Contemporaneous Writings and Period Performance Practice (opens in a new tab)

  6. Franz Joseph Haydn’s Sturm und Drang Symphonic Minuets: Convention and Deformation in Form, Cadence, and Meter

    Franz Joseph Haydn’s (1732-1809) Sturm und Drang years (1768-1773) are described by Mark Evan Bonds as a period of exploration or experimentation of compositional techniques. Based on this premise, this thesis provides in-depth analyses of twenty symphonic minuet movements from the composer’s Sturm …

    ottawa-retro Repository record for Franz Joseph Haydn’s Sturm und Drang Symphonic Minuets: Convention and Deformation in Form, Cadence, and Meter (opens in a new tab)

  7. Master's thesis recital (violin)

    Quartet in C major, op. 20, no. 2 / Franz Joseph Haydn -- Appalachian Polaroids / Steven Snowden -- Lady Isabelle was that kind of woman / Alexandra Bryant -- Quartet no. 4, sz. 91 / Bela Bartok.

    texas Repository record for Master's thesis recital (violin) (opens in a new tab)

  8. Master's thesis recital (violin)

    … quartet no.27 in D major, op.20, no.4 / F. J. Haydn -- String quartet no.5, sz.102, BB 110 / Bela Bartok -- String quartet in C minor, op.51, no.1 / Johannes Brahms

    texas Repository record for Master's thesis recital (violin) (opens in a new tab)

  9. Pedalling on: An autoethnographical journey of creative discovery

    … the sustain pedal in works by CPE Bach, JC Bach, Haydn and Mozart specifically. During their lifetimes, pedalling was considered to be a novelty on the fortepiano and was not seriously notated in the detailed style of later composers such as Beethoven and Schumann. The thesis explores ways to use …

    waikato-masters Repository record for Pedalling on: An autoethnographical journey of creative discovery (opens in a new tab)

  10. Doctoral thesis recital (piano)

    Piano sonata in C major, Hob. XVI:50 / Joseph Haydn -- Widmung = (Dedication) / Robert Schumann ; transcribed for solo piano by Franz Liszt-- Liebestraum no. 3 ; Grandes etudes de Paganini, S. 141 / Franz Liszt -- Piano sonata no. 3 in B minor, op.58 / Frederic Chopin.

    texas Repository record for Doctoral thesis recital (piano) (opens in a new tab)

  11. The Principle of Variation: A Study in the Selection of Differences With Examples From Dallapiccola, J. S. Bach, and Brahms

    … Johann Sebastian Bach, Variations on a Theme of Haydn, opus 56a (the orchestral version) by Johannes Brahms, and Quaderno Musicale di Annalibera for piano solo by Luigi Dallapiccola. The compositions, each a set of variations, are discussed from five perspectives, the dissertation itself being a …

    uiuc Repository record for The Principle of Variation: A Study in the Selection of Differences With Examples From Dallapiccola, J. S. Bach, and Brahms (opens in a new tab)

  12. Structures of Beethoven's Scherzos

    … form as it appeared in the music of Joseph Haydn (still labeled minuet except for the String Quartets. Opus 33) . Beethoven set out in his inimitable fashion to explore its possibilities. Beginning by adherence to the classic struc­ture of the minuet, adding only a few of his distinctive …

    dominican Repository record for Structures of Beethoven's Scherzos (opens in a new tab)

  13. The Solo Compositions for Trumpet of Fisher Aubrey Tull: An Analysis of Structural, Technical, and Stylistic Elements for Performance Preparation, with Three Recitals of Selected Works by Bozza, Fasch, Haydn, Tomasi, and Others

    The compositions of Fisher Aubrey Tull are widely performed and many have become standard repertoire. Tull's compositions encompass a multiplicity of performance media including works for orchestra, chorus, symphonic band, jazz band, brass choir, and solo and chamber works. Tull's compositional …

    unt Repository record for The Solo Compositions for Trumpet of Fisher Aubrey Tull: An Analysis of Structural, Technical, and Stylistic Elements for Performance Preparation, with Three Recitals of Selected Works by Bozza, Fasch, Haydn, Tomasi, and Others (opens in a new tab)

  14. An Examination of Laude: Four Character Sketches for Solo Trumpet in B-flat or C by Stanley Friedman, together with Three Recitals of Selected Works by Joseph Haydn, George Fredrick Handel, Eric Ewazen, and Others

    Stanley Friedman is a composer of many works, primarily for brass instruments, that have become part of the standard repertoire. Solus, for Trumpet Unaccompanied, for example, appears on many audition and competition lists, as do others of his works. On the other hand, Laude: Four Character …

    unt Repository record for An Examination of Laude: Four Character Sketches for Solo Trumpet in B-flat or C by Stanley Friedman, together with Three Recitals of Selected Works by Joseph Haydn, George Fredrick Handel, Eric Ewazen, and Others (opens in a new tab)

  15. Young-Jo Lee's Variations on the theme of Baugogae: In search of his own language, a lecture recital, together with three recitals of selected works of J. Haydn, S. Rachmaninoff, R. Schumann, O. Messiaen, and F. Liszt

    The objective of the dissertation is to examine Young-Jo Lee's (b. 1943) musical language as exhibited in his piano composition, Variations on the theme of Baugogae. Subjects of discussion include Lee's use of direct and indirect musical borrowings from past European composers and traditional …

    unt Repository record for Young-Jo Lee's Variations on the theme of Baugogae: In search of his own language, a lecture recital, together with three recitals of selected works of J. Haydn, S. Rachmaninoff, R. Schumann, O. Messiaen, and F. Liszt (opens in a new tab)

  16. The use of the damper pedal in the classical period: Steibelt and Dussek and their influence on Austrian composers

    … Pedaling by the Austrian composers Mozart, Haydn, Woelfl, Kozeluch, and Beethoven is also considered, looking at the connections among these composers and the possible influence on them of London School composers such as Steibelt and Dussek. On the whole, the effects that these composers …

    uiuc Repository record for The use of the damper pedal in the classical period: Steibelt and Dussek and their influence on Austrian composers (opens in a new tab)

Page 1 of 3