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University of Illinois at Urbana-Champaign

The “Scottish” performances and compositions of Charles Jean-Baptiste Soualle, 1852-1866: Early cultural interactions between Scotland and the saxophone

Abstract

dc:description

Charles Jean-Baptiste Soualle (1824-99) was a prolific composer and saxophone soloist, primarily known for his adoption of the pseudonym “Ali-Ben-Sou-Alle” and his solo concert tour of European colonies in Australasia, Asia, and Africa. While these aspects of Soualle’s life and music are covered in existing literature, much of this information draws on inaccurate and exoticized secondary accounts from nineteenth-century France, which over-emphasize his brief visit to the Indian city-state of Mysore. Strikingly, primary sources show that Soualle sustained a more meaningful relationship with Scottish culture, giving Scotland’s earliest documented saxophone performances while touring with the popular composer/conductor Louis-Antoine Jullien (1852), and going on to compose and perform a series of saxophone pieces drawing on Scottish music and literature (1853-66). This dissertation uses archival research to document Soualle’s “Scottish” performances and compositions for the first time, explicating their origins and role in Soualle’s career and concert practice via a discussion which intersects with themes of war, empire, orientalism, and commerce. In doing so, it reframes the prevailing discourse regarding Soualle’s career, demonstrating that his activities must be understood in the context of the British Union and Empire, and describes the first appearances of the saxophone in the majority of the English-speaking world. It concludes that Soualle incorporated the saxophone and aspects of Scottish culture into his skillful exploitation of prevailing cultural trends and moments in the pursuit of his artistic and commercial goals. Ultimately, this dissertation identifies and explicates the initial cultural and historical interactions between Scotland and the saxophone.

Degree

thesis:*
Name thesis:degree_name
A.Mus.D.
Level thesis:degree_level
Dissertation
Discipline thesis:degree_discipline
Music
Grantor
University of Illinois at Urbana-Champaign
Year dc:date
2023

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Somerville, Andrew
Contributors dc:contributor
  • Bashford, Christina
  • Richtmeyer, Debra
  • Silvers, Michael
  • Hood, Denice

Subjects

dc:subject × 6

Rights

dc:rights
Statement dc:rights
  • Copyright 2023 Andrew Somerville
Language dc:language
en, eng

Identifiers

dc:identifier.*
Handle dc:identifier
https://hdl.handle.net/2142/120202

Chain of custody

source
Harvested from
University of Illinois - Urbana-Champaign
Base URL
www.ideals.illinois.edu/oai-pmh
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Somerville, Andrew. The “Scottish” performances and compositions of Charles Jean-Baptiste Soualle, 1852-1866: Early cultural interactions between Scotland and the saxophone. Dissertation thesis, University of Illinois at Urbana-Champaign, 2023. https://hdl.handle.net/2142/120202