{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/120202"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/120202","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"The “Scottish” performances and compositions of Charles Jean-Baptiste Soualle, 1852-1866: Early cultural interactions between Scotland and the saxophone","abstract":"Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-09-01 without embargo terms","abstract_html":"Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-09-01 without embargo terms","abstract_has_math":false,"creators":["Somerville, Andrew"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"A.Mus.D.","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":["Bashford, Christina","Richtmeyer, Debra","Silvers, Michael","Hood, Denice"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023-05","date_published":"2023-05","updated_at":"2026-07-22T22:24:57Z","subjects":["Saxophone History","Ali-ben-sou-alle","Scottish National Songs","Orientalism","British Empire","Nineteenth Century Scotland"],"languages":["en","eng"],"rights":["Copyright 2023 Andrew Somerville"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2142/120202","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Bashford, Christina","Richtmeyer, Debra","Silvers, Michael","Hood, Denice"]},{"key":"dc:creator","label":"Author","values":["Somerville, Andrew"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2023-05","2023-02-22"]},{"key":"dc:type","label":"Dc Type","values":["text","Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["A.Mus.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Saxophone History","Ali-ben-sou-alle","Scottish National Songs","Orientalism","British Empire","Nineteenth Century Scotland"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en","eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2023 Andrew Somerville"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://hdl.handle.net/2142/120202"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-09-01 without embargo terms","The student, Andrew Somerville, accepted the attached license on 2023-02-17 at 17:17.","The student, Andrew Somerville, submitted this Dissertation for approval on 2023-02-17 at 19:11.","This Dissertation was approved for publication on 2023-02-22 at 16:06.","DSpace SAF Submission Ingestion Package generated from Vireo submission #18849 on 2023-09-01 at 17:07:20","Charles Jean-Baptiste Soualle (1824-99) was a prolific composer and saxophone soloist, primarily known for his adoption of the pseudonym “Ali-Ben-Sou-Alle” and his solo concert tour of European colonies in Australasia, Asia, and Africa. While these aspects of Soualle’s life and music are covered in existing literature, much of this information draws on inaccurate and exoticized secondary accounts from nineteenth-century France, which over-emphasize his brief visit to the Indian city-state of Mysore. Strikingly, primary sources show that Soualle sustained a more meaningful relationship with Scottish culture, giving Scotland’s earliest documented saxophone performances while touring with the popular composer/conductor Louis-Antoine Jullien (1852), and going on to compose and perform a series of saxophone pieces drawing on Scottish music and literature (1853-66). This dissertation uses archival research to document Soualle’s “Scottish” performances and compositions for the first time, explicating their origins and role in Soualle’s career and concert practice via a discussion which intersects with themes of war, empire, orientalism, and commerce. In doing so, it reframes the prevailing discourse regarding Soualle’s career, demonstrating that his activities must be understood in the context of the British Union and Empire, and describes the first appearances of the saxophone in the majority of the English-speaking world. It concludes that Soualle incorporated the saxophone and aspects of Scottish culture into his skillful exploitation of prevailing cultural trends and moments in the pursuit of his artistic and commercial goals. Ultimately, this dissertation identifies and explicates the initial cultural and historical interactions between Scotland and the saxophone."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["The “Scottish” performances and compositions of Charles Jean-Baptiste Soualle, 1852-1866: Early cultural interactions between Scotland and the saxophone"]}]}],"canonical_facts":{"dc:contributor":["Bashford, Christina","Richtmeyer, Debra","Silvers, Michael","Hood, Denice"],"dc:creator":["Somerville, Andrew"],"dc:date":["2023-05","2023-02-22"],"dc:description":["Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-09-01 without embargo terms","The student, Andrew Somerville, accepted the attached license on 2023-02-17 at 17:17.","The student, Andrew Somerville, submitted this Dissertation for approval on 2023-02-17 at 19:11.","This Dissertation was approved for publication on 2023-02-22 at 16:06.","DSpace SAF Submission Ingestion Package generated from Vireo submission #18849 on 2023-09-01 at 17:07:20","Charles Jean-Baptiste Soualle (1824-99) was a prolific composer and saxophone soloist, primarily known for his adoption of the pseudonym “Ali-Ben-Sou-Alle” and his solo concert tour of European colonies in Australasia, Asia, and Africa. While these aspects of Soualle’s life and music are covered in existing literature, much of this information draws on inaccurate and exoticized secondary accounts from nineteenth-century France, which over-emphasize his brief visit to the Indian city-state of Mysore. Strikingly, primary sources show that Soualle sustained a more meaningful relationship with Scottish culture, giving Scotland’s earliest documented saxophone performances while touring with the popular composer/conductor Louis-Antoine Jullien (1852), and going on to compose and perform a series of saxophone pieces drawing on Scottish music and literature (1853-66). This dissertation uses archival research to document Soualle’s “Scottish” performances and compositions for the first time, explicating their origins and role in Soualle’s career and concert practice via a discussion which intersects with themes of war, empire, orientalism, and commerce. In doing so, it reframes the prevailing discourse regarding Soualle’s career, demonstrating that his activities must be understood in the context of the British Union and Empire, and describes the first appearances of the saxophone in the majority of the English-speaking world. It concludes that Soualle incorporated the saxophone and aspects of Scottish culture into his skillful exploitation of prevailing cultural trends and moments in the pursuit of his artistic and commercial goals. Ultimately, this dissertation identifies and explicates the initial cultural and historical interactions between Scotland and the saxophone."],"dc:format":["application/pdf"],"dc:identifier":["https://hdl.handle.net/2142/120202"],"dc:language":["en","eng"],"dc:rights":["Copyright 2023 Andrew Somerville"],"dc:subject":["Saxophone History","Ali-ben-sou-alle","Scottish National Songs","Orientalism","British Empire","Nineteenth Century Scotland"],"dc:title":["The “Scottish” performances and compositions of Charles Jean-Baptiste Soualle, 1852-1866: Early cultural interactions between Scotland and the saxophone"],"dc:type":["text","Thesis"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["A.Mus.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:24:57Z"}