Abstract
dc:descriptionFour out of the eleven extant Aristophanic comedies contain, or refer to, oracles (Knights, Peace, Birds, Lysistrata). This thesis aims (a) to discuss Aristophanes’ stance toward oracles and oracle-collections; (b) to comment on each oracle in these four plays in chronological order, and to reach conclusions regarding Aristophanes’ usage of them while paying close attention to their language. The conclusions reached are that oracles are depicted in a way that takes for granted their political manipulation, that their language is never self-sufficient and authoritative by itself, and that the persuasive force of an oracle depends equally on an interpretation that has to be linked to something easily recognizable by the audience.
Degree
thesis:*- Name thesis:degree_name
- M.A.
- Level thesis:degree_level
- Thesis
- Discipline thesis:degree_discipline
- Classics
- Grantor
- University of Illinois at Urbana-Champaign
- Year dc:date
- 2013
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Karatzoglou, Orestis
- Contributors dc:contributor
-
- Traill, Ariana
Subjects
dc:subject × 7Rights
dc:rights- Statement dc:rights
-
- Copyright 2013 Orestis Karatzoglou
- Language dc:language
- en
Identifiers
dc:identifier.*- Handle dc:identifier
- http://hdl.handle.net/2142/44157
- OAI identifier oai:identifier
- oai:www.ideals.illinois.edu:2142/44157