{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/44157"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/44157","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Aristophanic Oracles","abstract":"Four out of the eleven extant Aristophanic comedies contain, or refer to, oracles (Knights, Peace, Birds, Lysistrata). This thesis aims (a) to discuss Aristophanes’ stance toward oracles and oracle-collections; (b) to comment on each oracle in these four plays in chronological order, and to reach conclusions regarding Aristophanes’ usage of them while paying close attention to their language. The conclusions reached are that oracles are depicted in a way that takes for granted their political manipulation, that their language is never self-sufficient and authoritative by itself, and that the persuasive force of an oracle depends equally on an interpretation that has to be linked to something easily recognizable by the audience.","abstract_html":"Four out of the eleven extant Aristophanic comedies contain, or refer to, oracles (Knights, Peace, Birds, Lysistrata). This thesis aims (a) to discuss Aristophanes’ stance toward oracles and oracle-collections; (b) to comment on each oracle in these four plays in chronological order, and to reach conclusions regarding Aristophanes’ usage of them while paying close attention to their language. The conclusions reached are that oracles are depicted in a way that takes for granted their political manipulation, that their language is never self-sufficient and authoritative by itself, and that the persuasive force of an oracle depends equally on an interpretation that has to be linked to something easily recognizable by the audience.","abstract_has_math":false,"creators":["Karatzoglou, Orestis"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"M.A.","degree_level":"Thesis","degree_discipline":"Classics","degree_department":null,"school":null,"contributors":["Traill, Ariana"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013-05-24T21:52:53Z","date_published":"2013-05-24T21:52:53Z","updated_at":"2026-07-22T22:25:33Z","subjects":["Aristophanes","Oracles","Ancient Comedy","Old Comedy","Politics","Political discourse","Manipulation"],"languages":["en"],"rights":["Copyright 2013 Orestis Karatzoglou"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/2142/44157","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Traill, Ariana"]},{"key":"dc:creator","label":"Author","values":["Karatzoglou, Orestis"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2013-05-24T21:52:53Z","2013-05"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Classics"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Aristophanes","Oracles","Ancient Comedy","Old Comedy","Politics","Political discourse","Manipulation"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright 2013 Orestis Karatzoglou"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/44157"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Four out of the eleven extant Aristophanic comedies contain, or refer to, oracles (Knights, Peace, Birds, Lysistrata). This thesis aims (a) to discuss Aristophanes’ stance toward oracles and oracle-collections; (b) to comment on each oracle in these four plays in chronological order, and to reach conclusions regarding Aristophanes’ usage of them while paying close attention to their language. The conclusions reached are that oracles are depicted in a way that takes for granted their political manipulation, that their language is never self-sufficient and authoritative by itself, and that the persuasive force of an oracle depends equally on an interpretation that has to be linked to something easily recognizable by the audience.","Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2013-04-22T21:04:55Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 1 Karatzoglou_Orestis.pdf: 553576 bytes, checksum: a367442da569145026d1786333e7a953 (MD5)","Made available in DSpace on 2013-05-24T21:52:53Z (GMT). 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The conclusions reached are that oracles are depicted in a way that takes for granted their political manipulation, that their language is never self-sufficient and authoritative by itself, and that the persuasive force of an oracle depends equally on an interpretation that has to be linked to something easily recognizable by the audience.","Item withdrawn by Mark Zulauf (zulauf@illinois.edu) on 2013-04-22T21:04:55Z Item was in collections: University of Illinois Theses & Dissertations (ID: 1) No. of bitstreams: 1 Karatzoglou_Orestis.pdf: 553576 bytes, checksum: a367442da569145026d1786333e7a953 (MD5)","Made available in DSpace on 2013-05-24T21:52:53Z (GMT). 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