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University of Illinois at Urbana-Champaign

Writing hybridity: identity, dialogics, and women's narratives in the Americas

Abstract

dc:description

This work examines the concept of “hybridity” and critically engages with the intellectual and political discourses that have attempted to define its meaning from the time of the Spanish Empire to the postmodern era. As a phenomenon resulting from cross-cultural encounters, hybridity has always posed a danger to fixed categorizations of identity, and thus a variety of discourses of hybridity have surfaced across different traditions in order to control its meaning. After the arrival of the Spaniards to the Americas, the need to restrain cultural mixture and therefore define “hybridity” was pressing. Thus, the discourse of mestizaje appears first to differentiate Spaniards from non-Spaniards, and later to give a fixed national identity to Spanish America and its people. Similarly, in the French Caribbean, creoleness put limits on the otherwise fluid interaction of African, native, and European peoples. More recently, postmodernist notions of hybridity assume that cross-cultural encounters cause individuals to live in a state of uncertainty, making “hybridity” a synonym of liminality and constant in-betweeness. This dissertation argues that three women writers, Toni Morrison, Rosario Ferré, and Marysé Condé, reevaluate those theories of hybridity challenging the claim that hybridity have provided a site of resistance to hegemonic and monologic forces. In contrast, their novels redefine hybridity, emphasizing its narrative quality and therefore maintaining the openness of individual identifications. They share with Mikhail M. Bakhtin the idea that hybrid consciousness evolves as a kind of narrative. Thus, these three writers rescue “hybridity” from the realm of theory and cultural generalizations, and realign it with forms of storytelling that construct stories of self through the discourses of others. Hybridity is presented as an artistic expression that at once controls and incorporates others’ discourses into single texts that tell the stories of female characters who have achieved hybrid consciousness.

Degree

thesis:*
Name thesis:degree_name
Ph.D.
Level thesis:degree_level
Dissertation
Discipline thesis:degree_discipline
Comparative Literature
Grantor
University of Illinois at Urbana-Champaign
Year dc:date
2011

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Ortega, Gema
Contributors dc:contributor
  • Palencia-Roth, Michael
  • Goldman, Dara E.
  • Somerville, Siobhan B.
  • Talbot, Emile J.

Subjects

dc:subject × 5

Rights

dc:rights
Statement dc:rights
  • Copyright 2011 Gema Ortega
Language dc:language
en

Identifiers

dc:identifier.*
Handle dc:identifier
http://hdl.handle.net/2142/24250
OAI identifier oai:identifier
oai:www.ideals.illinois.edu:2142/24250

Chain of custody

source
Harvested from
University of Illinois - Urbana-Champaign
Base URL
www.ideals.illinois.edu/oai-pmh
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Ortega, Gema. Writing hybridity: identity, dialogics, and women's narratives in the Americas. Dissertation thesis, University of Illinois at Urbana-Champaign, 2011. http://hdl.handle.net/2142/24250