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Showing 1 to 9 of 9 for “"Dialogics"”.

  1. Writing hybridity: identity, dialogics, and women's narratives in the Americas

    This work examines the concept of “hybridity” and critically engages with the intellectual and political discourses that have attempted to define its meaning from the time of the Spanish Empire to the postmodern era. As a phenomenon resulting from cross-cultural encounters, hybridity has always …

    uiuc Repository record for Writing hybridity: identity, dialogics, and women's narratives in the Americas (opens in a new tab)

  2. Black British Identities : The Dialogics of a Hybridity-of-the-Everyday.

    This study looks at hybridity as an everyday interactional phenomenon using conversations on lived experience, amongst Black British people of Caribbean heritage between the ages of 16-40 who are from London, the Midlands and West Yorkshire. Black British identifications in talk-in-interaction are …

    lancaster Repository record for Black British Identities : The Dialogics of a Hybridity-of-the-Everyday. (opens in a new tab)

  3. A Paradigm Shift in African Cultural Exhibits at the National Museum of Natural History

    … U.S. values. In a 1999 article, From Dioramas to Dialogics: A Century of Exhibiting African at the Smithsonian, anthropology curator, Mary Jo Arnoldi stated that the 1967 Cultures of Africa exhibit in the National Museum of Natural History was outdated the day it opened. I examine how curators’ …

    houston Repository record for A Paradigm Shift in African Cultural Exhibits at the National Museum of Natural History (opens in a new tab)

  4. From Villain to Hero: Traces of the Gothic Villain/Hero in Four Modern Films

    … of Bakhtin's theory of the chronotope, dialogics, and carnival. This definition will be applied to the the films Batman, Darkman, Edward Scissorhands, and Cape Fear.</p><p>In the course of this application, it will be seen that although the villain has evolved into a Gothic hero, and the …

    nodak Repository record for From Villain to Hero: Traces of the Gothic Villain/Hero in Four Modern Films (opens in a new tab)

  5. Disarming the canon : exploring Tepper’s and Atwood’s retelling of classical (her)story

    … of adaptation and Bakhtin’s (1981) theory of dialogics to motivate a critical analysis of the ways in which both contemporary texts use adaptation to write back to the past. Chapter one explores Sheri S. Tepper’s (1990) The gate to Women’s Country, which adapts three plays by Euripides – …

    pretoria Repository record for Disarming the canon : exploring Tepper’s and Atwood’s retelling of classical (her)story (opens in a new tab)

  6. An investigation into full cost accounting in a higher education context

    … literature for analysis purposes,<br/>drawing on dialogics, organisational change theory and institutional theory, as<br/>well as Soft Systems Methodology tools. Existing Full Cost Accounting (‘FCA’)<br/>applications are critiqued using this framework and a utopian vision for a new<br/>application …

    kings Repository record for An investigation into full cost accounting in a higher education context (opens in a new tab)

  7. Questioning Voices: Dissention and Dialogue in the Poetry of Emily and Anne Brontë

    … who have pioneered an exploration of feminist dialogics provide crucial tools for examining the importance and uses of the dialogic form in the development of a powerful and creative feminine voice. As such, I propose to view Emily's Gondal poetry not as a series of loosely connected …

    unt Repository record for Questioning Voices: Dissention and Dialogue in the Poetry of Emily and Anne Brontë (opens in a new tab)

  8. When the carnival is over : Peter Barnes' Red Noses and the theories of Mikhail Bakhtin

    … theories of carnival, polyphonic discourse and dialogics, taking particular account of rehearsal and performance processes. In addition to problems of interpretation this project enters the debate about problems of texts in performance. The project can also be expected to generate useful …

    edithcowan Repository record for When the carnival is over : Peter Barnes' Red Noses and the theories of Mikhail Bakhtin (opens in a new tab)

  9. The historical consciousness of Ulysses: James Joyce's gendered, national aesthetics

    … most pertinent to the production of a gendered dialogics. In Chapter Two I contextualize my approach through contemporary Irish formations which theorize gendered discourses of nationhood. Although it is through Ulysses and the genre of the polyphonic novel that I will assert Joyce's national …

    wlv Repository record for The historical consciousness of Ulysses: James Joyce's gendered, national aesthetics (opens in a new tab)