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University of Illinois Urbana-Champaign

The Native new wave: creative sovereignty in twenty-first century Indigenous genre fiction

Abstract

dc:description

My dissertation, “The Native New Wave: Creative Sovereignty in Twenty-First Century Indigenous Genre Fiction,” argues that Indigenous genre writers transform the tropes and conventions of the genres they work in through creative reinscription. I focus on how these acts of tropological transformation make generic conventions into a vehicle to express a political commitment to Indigenous communities. While previous scholarship has often emphasized the “subversive” aspects of Native genre writing, my dissertation reads the current “Native New Wave” as genre enthusiasts who wish for their work to be legible as horror, crime fiction, and speculative fiction to their respective audiences. Chapter 2 focuses on Stephen Graham Jones’s slasher fiction and argues that Jones reimagines the “slasher killer” and “final girl” archetypes while chapter 3 discusses Native crime writers such as Carole laFavor, Marcie R. Rendon, and Angeline Boulley and examines how they use the genre’s individualization of criminality to critique settler vigilantism. In chapter 4, I contend that the postapocalyptic novels of Cherie Dimaline and Waubgeshig Rice use the deaths of Indigenous characters to critique Native ressentiment, identities produced in reaction to settler colonialism. Dimaline, Rice, and Louise Erdrich additionally reinscribe Lee Edelman’s “The Child” to signify as an Indigenous refusal to die. Chapter 5 focuses on the zombie narratives of Morgan Talty, Stephen Graham Jones, and Jeff Barnaby and how each of these creators engage with the generic legacy of George A. Romero. Across multiple genres, writers of the “Native New Wave” demonstrate that the meaning of inherited tropes and conventions is not fixed or static, but capable of reinvention.

Degree

thesis:*
Name thesis:degree_name
Ph.D.
Level thesis:degree_level
Dissertation
Discipline thesis:degree_discipline
English
Grantor
University of Illinois Urbana-Champaign
Year dc:date
2025

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Topaum, Cyanne So-Lo-Li
Contributors dc:contributor
  • Parker, Robert D.
  • Parker, Robert D
  • Basu, Manisha
  • Byrd, Jodi A
  • Tahmahkera, Dustin

Subjects

dc:subject × 7

Rights

dc:rights
Statement dc:rights
  • Copyright 2025 Cyanne Topaum
Language dc:language
en, eng

Identifiers

dc:identifier.*
Handle dc:identifier
https://hdl.handle.net/2142/130130

Chain of custody

source
Harvested from
University of Illinois - Urbana-Champaign
Base URL
www.ideals.illinois.edu/oai-pmh
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Topaum, Cyanne So-Lo-Li. The Native new wave: creative sovereignty in twenty-first century Indigenous genre fiction. Dissertation thesis, University of Illinois Urbana-Champaign, 2025. https://hdl.handle.net/2142/130130