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University of Illinois at Urbana-Champaign

Explicit notation and implicit identity: Earle Brown’s philosophy of composition and an informed performance practice

Abstract

dc:description

This paper analyzes several recordings of Earle Brown’s December 1952 (1952), Four Systems (1953), and the String Quartet (1965) to understand how performers approach composition and improvisation when performing his works. By collecting and synthesizing Brown’s lectures and writings over several decades of his career it can be determined that Brown was focused primarily on the concept of an identity, or a set of characteristics that allow performed works to be easily recognizable (e.g., the recurring motive in Beethoven’s Fifth Symphony). Through graphic notation and open form, Brown allows musicians to collaborate with him through the score to create an identity in performance. This requires performers to experiment both with the explicit information Brown supplies and the implicit extensions of that information as perceived by the performer(s). Recordings of these works are reflections of the work’s innermost identity and analyzing them provides insight into how future performers can interact with and successfully perform Brown’s scores. With this knowledge, this paper presents a performer’s guide to Earle Brown’s music, opening a door for his works to be accessible by any musician regardless of their familiarity with Brown or his contemporaries. This guide can be read independently of the rest of the paper, serving as both a concise point of entry and a quick reference tool.

Degree

thesis:*
Name thesis:degree_name
A.Mus.D.
Level thesis:degree_level
Dissertation
Discipline thesis:degree_discipline
Music
Grantor
University of Illinois at Urbana-Champaign
Year dc:date
2023

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Hinkley, Brian J.
Contributors dc:contributor
  • Taylor, Stephen
  • Lund, Erik
  • Fieldsteel, Eli
  • Carrillo, Carlos

Subjects

dc:subject × 12

Rights

dc:rights
Statement dc:rights
  • © 2023 Brian J. Hinkley
Language dc:language
en, eng

Identifiers

dc:identifier.*
Handle dc:identifier
https://hdl.handle.net/2142/122003

Chain of custody

source
Harvested from
University of Illinois - Urbana-Champaign
Base URL
www.ideals.illinois.edu/oai-pmh
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Hinkley, Brian J.. Explicit notation and implicit identity: Earle Brown’s philosophy of composition and an informed performance practice. Dissertation thesis, University of Illinois at Urbana-Champaign, 2023. https://hdl.handle.net/2142/122003