Abstract
dc:description.abstractIn 1976, Memphis, Tennessee, photographer, William Eggleston, had his first solo exhibition at the Museum of Modern Art in New York City. This exhibition was the first dedicated to a single photographer working in color. While Eggleston’s use of color was groundbreaking, his depictions of contemporary southern life were similarly exceptional. Working against previous photographic representations of the South, Eggleston presented a region succumbing to national homogenization through land development, commercialization, and suburbanization. Eggleston’s monograph resulting from his debut exhibition at MoMA, William Eggleston’s Guide, tells the story of this changing region, from the outdoor spaces that were once agriculturally rooted, to the private, intimate spaces of the rural South. He juxtaposes these types of images with photographs depicting development and abuse on once agrarian soil. By doing this, William Eggleston’s Guide encouraged viewers in 1976, and still today, to reevaluate our interactions with the environments around us.
Degree
thesis:*- Name thesis:degree_name
- M.A. in Southern Studies
- Level thesis:degree_level
- Thesis
- Discipline thesis:degree_discipline
- Southern Studies
- Year dc:date.available
- 2016
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Malloy, Amanda Katherine
- Contributors dc:contributor
-
- Annette Trefzer
- Kathryn McKee
- Kris Belden-Adams
Subjects
dc:subject × 2Identifiers
dc:identifier.*- Repository record dc:identifier
- https://egrove.olemiss.edu/etd/890
- OAI identifier oai:identifier
- oai:egrove.olemiss.edu:etd-1889