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Showing 1 to 20 of 23 for “"MoMA"”.

  1. MoMA in France: The Construction of an *American Cultural Identity

    Drawing on my archival research at MoMA, the Archives of American Art, and the National Archives I analyze the three major historical surveys of American art sent abroad by MoMA during the fifties: 12 Modern American Painters and Sculptors (1953); 50 Ans d'art aux etats-unis (1955); and The New …

    uiuc Repository record for MoMA in France: The Construction of an *American Cultural Identity (opens in a new tab)

  2. O impacto social do megaprojeto de areias pesadas de Topuito Moma-Nampula

    … do megaprojeto de areias pesadas de Topuito Moma-Nampula é um tema que aborda a vertente social da realidade megaprojeto no contexto moçambicano. E tem como pressuposto de suporte o desenvolvimento sustentável, numa dimensão societal, segundo a visão da Agenda 2030, na perspetiva de alguns …

    aberta Repository record for O impacto social do megaprojeto de areias pesadas de Topuito Moma-Nampula (opens in a new tab)

  3. An eye for vulgarity : how MoMA saw color through Wild Bill's lens

    … Eggleston's Guide. From hundreds of slides, MoMA Director of Photography John Szarkowski dominated the process of selecting the 75 images for the exhibition and 48 to be carefully packaged in the Guide, a faux family photo album/road trip guidebook. It is my contention that, despite their …

    mit Repository record for An eye for vulgarity : how MoMA saw color through Wild Bill's lens (opens in a new tab)

  4. The House In The Museum Garden: Targeting Domestic Consumers In MoMA’s Architecture And Design Exhibitions

    The Museum of Modern Art (MoMA) promoted modern art and design through exhibitions. Exhibitions of the 1930s were marked by politically and socially minded intentions that aimed to solve modern problems through modern solutions. This continued into the early 1940s, though a shift occurred in the …

    houston Repository record for The House In The Museum Garden: Targeting Domestic Consumers In MoMA’s Architecture And Design Exhibitions (opens in a new tab)

  5. Building a Continent: The Idea of Latin American Architecture in the Early Postwar

    In January 1943, New York's Museum of Modern Art (MoMA) opened Brazil Builds. This exhibition has been widely credited as initiating the international appraisal and celebration of Latin America's modern architecture. Responsive to the war context and to the museum's engagement with the Office of …

    columbia-diss Repository record for Building a Continent: The Idea of Latin American Architecture in the Early Postwar (opens in a new tab)

  6. DOCUMENTARY PHOTOGRAPHY AND CURATORIAL PRACTICE IN THE UNITED STATES, 1902-1967

    … Szarkowski of the Department of Photography at MoMA, this paper explores the history of documentary photography and its curatorial evolution in museums from 1902 to 1967.</p>

    kennesaw Repository record for DOCUMENTARY PHOTOGRAPHY AND CURATORIAL PRACTICE IN THE UNITED STATES, 1902-1967 (opens in a new tab)

  7. William Eggleston's Guide To The Suburban South

    … monograph resulting from his debut exhibition at MoMA, William Eggleston’s Guide, tells the story of this changing region, from the outdoor spaces that were once agriculturally rooted, to the private, intimate spaces of the rural South. He juxtaposes these types of images with photographs …

    mississippi Repository record for William Eggleston's Guide To The Suburban South (opens in a new tab)

  8. Criterios e indicadores de calidad para la implantación de cursos online en museos y centros de arte contemporáneo

    … online: Museum of Modern Art de Nueva York (MoMA) y Tate Modern de Londres. En base a los resultados obtenidos en la aplicación de los indicadores de calidad, se propone un conjunto de criterios de calidad de cursos online aplicable a cualquier museo de arte contemporáneo. A modo de …

    dialnet Repository record for Criterios e indicadores de calidad para la implantación de cursos online en museos y centros de arte contemporáneo (opens in a new tab)

  9. Framing Latin American Art: Artists, Critics, Institutions and the Configuration of a Regional Identity

    … in such places as the Museum of Modern Art (MoMA) in New York as part of the global turn in art history.</p><p>Citing their different language and colonial history, Brazilian artists and critics have tended to view their art production as distinct from that of the rest of the continent. This …

    duke Repository record for Framing Latin American Art: Artists, Critics, Institutions and the Configuration of a Regional Identity (opens in a new tab)

  10. Stitches on Display: Embroidery Exhibited by the Museum of Modern Art

    … Despite this, the modes of display used by the MoMA exhibits portray a reluctance to fully embrace and acknowledge the importance of materiality in in the history of embroidery. Examining the inclusion of Zorach's The Circus in the 1938 Three Centuries of American Art exhibition alongside …

    vt Repository record for Stitches on Display: Embroidery Exhibited by the Museum of Modern Art (opens in a new tab)

  11. Espías y ciencia ficción : represión y explotación de las construcciones de superpoderes en la arquitectura moderna

    … Light Construction del Museum of Modern Art (MoMA); y así es también como comienza esta tesis. A partir de este descubrimiento reviso literatura arquitectónica relativamente reciente en busca de otras trazas de esta relación problemática con la ciencia ficción y el espionaje, de cuyo análisis …

    upm Repository record for Espías y ciencia ficción : represión y explotación de las construcciones de superpoderes en la arquitectura moderna (opens in a new tab)

  12. The New Visitor Center at Shofuso: Expanding Site Interpretation Through New Construction

    … western architecture as a major exhibit at the MoMA. The new visitor center design can bridge this gap by exhibiting Shofuso’s relevance to modernism, emphasizing on the four major characteristics that inspired Modernism: flexible room arrangements, strong indoor and outdoor connection, …

    penn Repository record for The New Visitor Center at Shofuso: Expanding Site Interpretation Through New Construction (opens in a new tab)

  13. Shifting Curatorial Strategies for Art from Latin America and Latino Art at the Museum of Fine Arts, Houston 1956 - 2004

    … expanded readings to those first introduced at MoMA. Firstly, the Gulf-Caribbean Art Exhibition (1956) was a collaboration with the Pan American Union. This exhibition was framed by Cold War modernist approaches and a re-imagined geographical conception of the Gulf region. Secondly, Hispanic Art …

    essex Repository record for Shifting Curatorial Strategies for Art from Latin America and Latino Art at the Museum of Fine Arts, Houston 1956 - 2004 (opens in a new tab)

  14. "Indigenous" -- "Vernacular" : negotiating an American history for modernism through the lens of the architectural exhibition

    … the term "indigenous" with regard to his 1933 MoMA exhibition, Walker Evans: 19th Century Houses, in order to distance, but not disavow Victorian-era domesticity and society. Conversely, Henry-Russell Hitchcock utilized "vernacular" in his 1934 exhibition at Yale University, The Urban …

    mit Repository record for "Indigenous" -- "Vernacular" : negotiating an American history for modernism through the lens of the architectural exhibition (opens in a new tab)

  15. Modelos y series en la casa americana de posguerra

    … ecológica regional o la crítica evaluación del MoMA, convertido en agente de arquitectura, como desde la favorable impresión de la vanguardia británica, destacando el reconocimiento de Alison y Peter Smithson. La exploración contrastada permite apreciar adecuadamente la significación de este …

    upm Repository record for Modelos y series en la casa americana de posguerra (opens in a new tab)

  16. Forma y composición en la arquitectura deconstructivista

    … Wigley organizaron en el Museo de Arte Moderno (MoMA) de Nueva York en 1988. En dicha oportunidad mostraron el trabajo de siete estudios de arquitectos estadounidenses y europeos: - Frank Owen Gehry - Daniel Libeskind - Rem Koolhaas / Office for Metropolitan Architecture -OMA- - Peter Eisenman - …

    upm Repository record for Forma y composición en la arquitectura deconstructivista (opens in a new tab)

  17. On steady and variable buoyancy forcing in the Atlantic, an idealised modelling study.

    … forcing. The model used is a version of the MOMA model (Webb, 1996), updated to include a free surface and Gent & McWilliams mixing. The model’s resolution is coarse, 4 x4 degrees with 15 levels in the vertical. In a first instance, the model’s response to 14 different fixed thermal profiles …

    soton Repository record for On steady and variable buoyancy forcing in the Atlantic, an idealised modelling study. (opens in a new tab)

  18. The politics of display: identity and state at the San Juan Print Biennial, 1970-1981

    … from the New York Museum of Modern Art (MoMA) and the Museo de Arte de Ponce (MAP), the BSJ was established to legitimize and promote the island as a competitive force within the postwar biennial circuit and international art market. While examining its structure, historical context, and …

    uiuc Repository record for The politics of display: identity and state at the San Juan Print Biennial, 1970-1981 (opens in a new tab)

  19. Export / Import: The Promotion of Contemporary Italian Art in the United States, 1935–1969

    … <em>Twentieth-Century Italian Art</em> held at MoMA in 1949 and other postwar shows that promoted a “New Italian Renaissance,” allegedly the fruit of both the Allied liberation of Italy and the defeat of Communism in the Italian political elections of 1948. Chapter three focuses on a third wave …

    cuny-grad Repository record for Export / Import: The Promotion of Contemporary Italian Art in the United States, 1935–1969 (opens in a new tab)

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