{"id":{"repo_id":"mississippi","oai_identifier":"oai:egrove.olemiss.edu:etd-1889"},"canonical_url":"https://search.dev.ndltd.org/etd/mississippi/oai:egrove.olemiss.edu:etd-1889","repository":{"repo_id":"mississippi","name":"University of Mississippi","base_url":"https://egrove.olemiss.edu/do/oai/"},"display":{"title":"William Eggleston's Guide To The Suburban South","abstract":"In 1976, Memphis, Tennessee, photographer, William Eggleston, had his first solo exhibition at the Museum of Modern Art in New York City. This exhibition was the first dedicated to a single photographer working in color. While Eggleston’s use of color was groundbreaking, his depictions of contemporary southern life were similarly exceptional. Working against previous photographic representations of the South, Eggleston presented a region succumbing to national homogenization through land development, commercialization, and suburbanization. Eggleston’s monograph resulting from his debut exhibition at MoMA, William Eggleston’s Guide, tells the story of this changing region, from the outdoor spaces that were once agriculturally rooted, to the private, intimate spaces of the rural South. He juxtaposes these types of images with photographs depicting development and abuse on once agrarian soil. By doing this, William Eggleston’s Guide encouraged viewers in 1976, and still today, to reevaluate our interactions with the environments around us.","abstract_html":"In 1976, Memphis, Tennessee, photographer, William Eggleston, had his first solo exhibition at the Museum of Modern Art in New York City. This exhibition was the first dedicated to a single photographer working in color. While Eggleston’s use of color was groundbreaking, his depictions of contemporary southern life were similarly exceptional. Working against previous photographic representations of the South, Eggleston presented a region succumbing to national homogenization through land development, commercialization, and suburbanization. Eggleston’s monograph resulting from his debut exhibition at MoMA, William Eggleston’s Guide, tells the story of this changing region, from the outdoor spaces that were once agriculturally rooted, to the private, intimate spaces of the rural South. He juxtaposes these types of images with photographs depicting development and abuse on once agrarian soil. By doing this, William Eggleston’s Guide encouraged viewers in 1976, and still today, to reevaluate our interactions with the environments around us.","abstract_has_math":false,"creators":["Malloy, Amanda Katherine"],"institution":null,"degree_name":"M.A. in Southern Studies","degree_level":"Thesis","degree_discipline":"Southern Studies","degree_department":null,"school":null,"contributors":["Annette Trefzer","Kathryn McKee","Kris Belden-Adams"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2016,"date_issued":"2016-01-01T08:00:00Z","date_published":"2016-01-01T08:00:00Z","updated_at":"2026-07-24T03:06:07Z","subjects":["Photography","South"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://egrove.olemiss.edu/etd/890","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Annette Trefzer","Kathryn McKee","Kris Belden-Adams"]},{"key":"dc:creator","label":"Author","values":["Malloy, Amanda Katherine"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2018-11-26T08:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Southern Studies"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A. in Southern Studies"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Photography","South"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://egrove.olemiss.edu/etd/890"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["In 1976, Memphis, Tennessee, photographer, William Eggleston, had his first solo exhibition at the Museum of Modern Art in New York City. This exhibition was the first dedicated to a single photographer working in color. While Eggleston’s use of color was groundbreaking, his depictions of contemporary southern life were similarly exceptional. Working against previous photographic representations of the South, Eggleston presented a region succumbing to national homogenization through land development, commercialization, and suburbanization. Eggleston’s monograph resulting from his debut exhibition at MoMA, William Eggleston’s Guide, tells the story of this changing region, from the outdoor spaces that were once agriculturally rooted, to the private, intimate spaces of the rural South. He juxtaposes these types of images with photographs depicting development and abuse on once agrarian soil. By doing this, William Eggleston’s Guide encouraged viewers in 1976, and still today, to reevaluate our interactions with the environments around us."]},{"key":"dc:title","label":"Title","values":["William Eggleston's Guide To The Suburban South"]}]}],"canonical_facts":{"dc:contributor":["Annette Trefzer","Kathryn McKee","Kris Belden-Adams"],"dc:creator":["Malloy, Amanda Katherine"],"dc:date.available":["2018-11-26T08:00:00Z"],"dc:description.abstract":["In 1976, Memphis, Tennessee, photographer, William Eggleston, had his first solo exhibition at the Museum of Modern Art in New York City. This exhibition was the first dedicated to a single photographer working in color. While Eggleston’s use of color was groundbreaking, his depictions of contemporary southern life were similarly exceptional. Working against previous photographic representations of the South, Eggleston presented a region succumbing to national homogenization through land development, commercialization, and suburbanization. Eggleston’s monograph resulting from his debut exhibition at MoMA, William Eggleston’s Guide, tells the story of this changing region, from the outdoor spaces that were once agriculturally rooted, to the private, intimate spaces of the rural South. He juxtaposes these types of images with photographs depicting development and abuse on once agrarian soil. By doing this, William Eggleston’s Guide encouraged viewers in 1976, and still today, to reevaluate our interactions with the environments around us."],"dc:identifier":["https://egrove.olemiss.edu/etd/890"],"dc:subject":["Photography","South"],"dc:title":["William Eggleston's Guide To The Suburban South"],"thesis:degree_discipline":["Southern Studies"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["M.A. in Southern Studies"]},"updated_at":"2026-07-24T03:06:07Z"}