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Showing 1 to 7 of 7 for “"queer art"”.

  1. Trans-masc tits: why not chop them off. Volume 2: the phenomenology of trans-masculine gender flux in performance

    … flux from my perspective as a trans-masculine artist-performer, capturing my journey through an intimate lens of phenomenological practice as research. The work is presented in two volumes, a practice portfolio and a written discussion, to provide a discursive weaving between practice and …

    middlesex Repository record for Trans-masc tits: why not chop them off. Volume 2: the phenomenology of trans-masculine gender flux in performance (opens in a new tab)

  2. The Queer Subjectivities and Visual Culture of Stephen Tennant, Oliver Messel and Rex Whistler, 1922-1939

    … investigates the relationship between the ‘queer’ subjectivities and visual culture of Stephen Tennant (1906-1987), Oliver Messel (1904-1978) and Rex Whistler (1905-1944) between 1922 and 1939. This time frame reflects the beginning of their friendship at the Slade School of Art, their early …

    arts-london Repository record for The Queer Subjectivities and Visual Culture of Stephen Tennant, Oliver Messel and Rex Whistler, 1922-1939 (opens in a new tab)

  3. Embodied Performance As Queer Theatre Historiography: Translation, Gender, Identity, and Temporalities in Mikhail Kuzmin's The Dangerous Precaution

    <p>The “World of Art” and “The Tower,” two groups of symbolist artists in St. Petersburg at the turn of the 20<sup>th</sup> century, are often noted for their contributions to queer art in poetry, literature, and the visual arts. However, the theatrical record has yet to acknowledge the significant …

    central-wash Repository record for Embodied Performance As Queer Theatre Historiography: Translation, Gender, Identity, and Temporalities in Mikhail Kuzmin's The Dangerous Precaution (opens in a new tab)

  4. Queering the Museum: Utopian Futurity in Contemporary Exhibitions

    Queering the Museum: Utopian Futurity in Contemporary Exhibitions expands the history of American art beyond its tightly policed borders to include curators, viewers, artists, and artworks as key players in contemporary queer exhibition surveys in U.S.-based museums. Exhibition histories are not …

    temple Repository record for Queering the Museum: Utopian Futurity in Contemporary Exhibitions (opens in a new tab)

  5. Designing American Taste: Frank Alvah Parsons, Queer Pedagogy and the Development of Applied Art and Design Education in the 20th Century

    … called the New York School of Fine and Applied Art (NYSFAA), he modernized and professionalized disciplines that had once been considered trades and popularized the idea of design education as a distinct field. In spite of this reputation, little scholarship has been devoted to Parsons’ …

    cambridge Repository record for Designing American Taste: Frank Alvah Parsons, Queer Pedagogy and the Development of Applied Art and Design Education in the 20th Century (opens in a new tab)

  6. The Queer Mummer

    Through blending the art form of drag and the Newfoundland tradition of mummering, The Queer Mummer deconstructs gender norms and homophobic attitudes surrounding being openly queer. The Queer Mummer serves as reminder that mummering, itself, is a custom that queers space. Both drag and mummering …

    sask Repository record for The Queer Mummer (opens in a new tab)

  7. Neomythism: Transfigurative Invocation and the (Re)Enchantment Engine in Human-AI Collaborative Art

    <p>This qualitative inquiry with arts-based analytic dimensions introduces Neomythism—the reactivation of mythic possibility through human-AI collaborative art-making—as a framework for addressing the compounded epistemic exclusion of marginalized creative practitioners, enforced by a myth of …

    usd-thes Repository record for Neomythism: Transfigurative Invocation and the (Re)Enchantment Engine in Human-AI Collaborative Art (opens in a new tab)