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Middlesex University

Trans-masc tits: why not chop them off. Volume 2: the phenomenology of trans-masculine gender flux in performance

Abstract

dc:description.abstract

This dissertation tackles the lived experience of gender dysphoria and states of gender flux from my perspective as a trans-masculine artist-performer, capturing my journey through an intimate lens of phenomenological practice as research. The work is presented in two volumes, a practice portfolio and a written discussion, to provide a discursive weaving between practice and theory. Through transdisciplinary art practice, with a mix of analogue photography, soft sculpture, and performance art, as a reclamation of bodily autonomy and visibility. Drawing on the performance phenomenology concepts of T.J. Bacon, Susan Kozel, and Amelia Jones, alongside the queer theorists Sara Ahmed and Jack Halberstam, this work applies Interpretative Phenomenological Analysis (IPA) and Creative Articulations Processing (CAP) as methods of reflection and analysis of the creative process and written embodied accounts of performance encounters. The grounding motif of ‘having trans-masc tits’ highlights a fluctuating relationship to ‘the chop’ that challenges binary narratives of trans identity with the uneasy joy of living in-between, in flux, and beyond gender norms. Here, Bacon's theory illuminates a multiplicity of Self/s—allowing each iteration of self-encounter to be an artistic and transformative protest against restrictive binary expectations. This project contributes to expanding trans-led academic research by offering a trans-masculine perspective to destabilise binary gender constructs, encouraging an inclusive understanding of gender fluidity and the transformative potential of queer art practices.

Degree

thesis:*
Name dc:type.qualificationname
Masters by Research
Level dc:type.qualificationlevel
Masters thesis
Grantor dc:publisher.institution
Middlesex University
Year dc:date.issued
2024

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Dodds, K.C.

Identifiers

dc:identifier.*
Identifier
oai:repository.mdx.ac.uk:2x154v
OAI identifier oai:identifier
oai:repository.mdx.ac.uk:2x154v

Chain of custody

source
Harvested from
Middlesex University
Base URL
repository.mdx.ac.uk/oai2
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
related terms
citation

Dodds, K.C.. Trans-masc tits: why not chop them off. Volume 2: the phenomenology of trans-masculine gender flux in performance. Masters thesis thesis, Middlesex University, 2024.