Back to results

Victoria University

Hyperrealism and the everyday in creative practice : exegesis, play, novel

Abstract

dc:description.abstract

The aim of this exegesis, play and novel is to develop a practice-led poetics of everyday theatre and literature. This emerged from a research question about the way the everyday is constituted within my own practice and within contemporary theatre in Melbourne and overseas. The major component of the exegesis is to analyse my development as a writer and dramaturg of performance texts with Ranters Theatre over a twenty-two-year period, covering three phases of work, each of which engage everydayness as part of its methodology. A key focus is text dramaturgy, how the text is constructed, critiqued and dramaturged in order to create a finished performance text or novel. Comparison is drawn with other contemporary theatre practitioners in Melbourne and overseas that also engage the everyday as a central component of their raison d’être.

Degree

thesis:*
Name dc:type.qualificationname
phd
Level dc:type.qualificationlevel
doctoral
Grantor dc:publisher.institution
Victoria University
Year dc:date.issued
2014

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Cortese, Raimondo

Subjects

dc:subject × 2

Rights

Language dc:language
en

Chain of custody

source
Harvested from
Victoria University (Australia)
Base URL
vuir.vu.edu.au/cgi/oai2
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Cortese, Raimondo. Hyperrealism and the everyday in creative practice : exegesis, play, novel. doctoral thesis, Victoria University, 2014.