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Virginia Tech

Destabilizing Machismo: Masculine and Feminine Constructions in the Theater of Susana Torres Molina

Abstract

dc:description.abstract

This thesis explores the construction of masculinity in Argentina, as represented in two plays by Susana Torres Molina, _...Y a otra cosa mariposa_ (1981) and _Una noche cualquiera_ (1999). In these two plays, the construction of sexual difference is portrayed as occurring within a masculine point of view, wherein it is explicit that men have the power to define, from a self-referential standpoint, their masculine identity, through contrast with a construction of the female. Rather than consider masculine and feminine as two parts of the same whole, gender, Torres Molina's works represent machismo as a two-part system, with masculine and female as distinct wholes, fundamentally different. The self-referentiality of machismo rejects the participation of women, subordinating and reducing them to the level of the object of conversation, characterized by biological essentialisms, instead of a constructed, subjective identity.

Degree

thesis:*
Name thesis:degree_name
Master of Arts
Level thesis:degree_level
masters
Discipline thesis:degree_discipline
History
Department dc:contributor.department
History
Grantor dc:publisher
Virginia Tech
Year dc:date.issued
2003

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Osenda, Natacha Veronica
Chair dc:contributor.committeechair
  • Bixler, Jacqueline E.
Committee members dc:contributor.committeemember
  • Farquhar, Sue
  • Mollin, Marian B.

Subjects

dc:subject × 6

Rights

dc:rights
Statement dc:rights
  • In Copyright

Identifiers

dc:identifier.*
Dc Identifier Other
etd-05232003-102851
OAI identifier oai:identifier
oai:vtechworks.lib.vt.edu:10919/42777

Chain of custody

source
Harvested from
Virginia Tech
Base URL
vtechworks.lib.vt.edu/oai/request
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Osenda, Natacha Veronica. Destabilizing Machismo: Masculine and Feminine Constructions in the Theater of Susana Torres Molina. masters thesis, Virginia Tech, 2003. http://hdl.handle.net/10919/42777