{"id":{"repo_id":"vt","oai_identifier":"oai:vtechworks.lib.vt.edu:10919/42777"},"canonical_url":"https://search.dev.ndltd.org/etd/vt/oai:vtechworks.lib.vt.edu:10919/42777","repository":{"repo_id":"vt","name":"Virginia Tech","base_url":"https://vtechworks.lib.vt.edu/oai/request"},"display":{"title":"Destabilizing Machismo: Masculine and Feminine Constructions in the Theater of Susana Torres Molina","abstract":"This thesis explores the construction of masculinity in Argentina, as represented in two plays by Susana Torres Molina, _...Y a otra cosa mariposa_ (1981) and _Una noche cualquiera_ (1999). In these two plays, the construction of sexual difference is portrayed as occurring within a masculine point of view, wherein it is explicit that men have the power to define, from a self-referential standpoint, their masculine identity, through contrast with a construction of the female. Rather than consider masculine and feminine as two parts of the same whole, gender, Torres Molina's works represent machismo as a two-part system, with masculine and female as distinct wholes, fundamentally different. The self-referentiality of machismo rejects the participation of women, subordinating and reducing them to the level of the object of conversation, characterized by biological essentialisms, instead of a constructed, subjective identity.","abstract_html":"This thesis explores the construction of masculinity in Argentina, as represented in two plays by Susana Torres Molina, _...Y a otra cosa mariposa_ (1981) and _Una noche cualquiera_ (1999). In these two plays, the construction of sexual difference is portrayed as occurring within a masculine point of view, wherein it is explicit that men have the power to define, from a self-referential standpoint, their masculine identity, through contrast with a construction of the female. Rather than consider masculine and feminine as two parts of the same whole, gender, Torres Molina's works represent machismo as a two-part system, with masculine and female as distinct wholes, fundamentally different. The self-referentiality of machismo rejects the participation of women, subordinating and reducing them to the level of the object of conversation, characterized by biological essentialisms, instead of a constructed, subjective identity.","abstract_has_math":false,"creators":["Osenda, Natacha Veronica"],"institution":"Virginia Tech","degree_name":"Master of Arts","degree_level":"masters","degree_discipline":"History","degree_department":"History","school":null,"contributors":[],"advisors":[],"committee_chairs":["Bixler, Jacqueline E."],"committee_members":["Farquhar, Sue","Mollin, Marian B."],"year":2003,"date_issued":"2003-05-16","date_published":"2003-05-16","updated_at":"2026-07-22T22:19:04Z","subjects":["Feminine Writing","State Terrorism in Argentina","Susana Torres Molina","Gender","Sexual Differences","Machismo"],"languages":[],"rights":["In Copyright"],"rights_urls":["http://rightsstatements.org/vocab/InC/1.0/"],"identifier_entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["etd-05232003-102851"],"render_values":[{"text":"etd-05232003-102851","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/10919/42777","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.committeechair","label":"Committee Chair","values":["Bixler, Jacqueline E."]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Farquhar, Sue","Mollin, Marian B."]},{"key":"dc:contributor.department","label":"Department","values":["History"]},{"key":"dc:creator","label":"Author","values":["Osenda, Natacha Veronica"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-03-14T21:36:33Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-03-14T21:36:33Z","2004-06-20"]},{"key":"dc:date.issued","label":"Date","values":["2003-05-16"]},{"key":"dc:publisher","label":"Institution","values":["Virginia Tech"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Virginia Polytechnic Institute and State University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Feminine Writing","State Terrorism in Argentina","Susana Torres Molina","Gender","Sexual Differences","Machismo"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["In Copyright"]},{"key":"dc:rights.uri","label":"Rights URI","values":["http://rightsstatements.org/vocab/InC/1.0/"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["etd-05232003-102851"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/10919/42777"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis explores the construction of masculinity in Argentina, as represented in two plays by Susana Torres Molina, _...Y a otra cosa mariposa_ (1981) and _Una noche cualquiera_ (1999). In these two plays, the construction of sexual difference is portrayed as occurring within a masculine point of view, wherein it is explicit that men have the power to define, from a self-referential standpoint, their masculine identity, through contrast with a construction of the female. Rather than consider masculine and feminine as two parts of the same whole, gender, Torres Molina's works represent machismo as a two-part system, with masculine and female as distinct wholes, fundamentally different. The self-referentiality of machismo rejects the participation of women, subordinating and reducing them to the level of the object of conversation, characterized by biological essentialisms, instead of a constructed, subjective identity."]},{"key":"dc:description.degree","label":"Dc Description Degree","values":["Master of Arts"]},{"key":"dc:title","label":"Title","values":["Destabilizing Machismo: Masculine and Feminine Constructions in the Theater of Susana Torres Molina"]}]}],"canonical_facts":{"dc:contributor.committeechair":["Bixler, Jacqueline E."],"dc:contributor.committeemember":["Farquhar, Sue","Mollin, Marian B."],"dc:contributor.department":["History"],"dc:creator":["Osenda, Natacha Veronica"],"dc:date.accessioned":["2014-03-14T21:36:33Z"],"dc:date.available":["2014-03-14T21:36:33Z","2004-06-20"],"dc:date.issued":["2003-05-16"],"dc:description.abstract":["This thesis explores the construction of masculinity in Argentina, as represented in two plays by Susana Torres Molina, _...Y a otra cosa mariposa_ (1981) and _Una noche cualquiera_ (1999). In these two plays, the construction of sexual difference is portrayed as occurring within a masculine point of view, wherein it is explicit that men have the power to define, from a self-referential standpoint, their masculine identity, through contrast with a construction of the female. Rather than consider masculine and feminine as two parts of the same whole, gender, Torres Molina's works represent machismo as a two-part system, with masculine and female as distinct wholes, fundamentally different. The self-referentiality of machismo rejects the participation of women, subordinating and reducing them to the level of the object of conversation, characterized by biological essentialisms, instead of a constructed, subjective identity."],"dc:description.degree":["Master of Arts"],"dc:identifier.other":["etd-05232003-102851"],"dc:identifier.uri":["http://hdl.handle.net/10919/42777"],"dc:publisher":["Virginia Tech"],"dc:rights":["In Copyright"],"dc:rights.uri":["http://rightsstatements.org/vocab/InC/1.0/"],"dc:subject":["Feminine Writing","State Terrorism in Argentina","Susana Torres Molina","Gender","Sexual Differences","Machismo"],"dc:title":["Destabilizing Machismo: Masculine and Feminine Constructions in the Theater of Susana Torres Molina"],"dc:type":["Thesis"],"thesis:degree_discipline":["History"],"thesis:degree_level":["masters"],"thesis:degree_name":["Master of Arts"],"thesis:institution_name":["Virginia Polytechnic Institute and State University"]},"updated_at":"2026-07-22T22:19:04Z"}