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Virginia Commonwealth University

One Hundred and Fifty Percent Elasticity

Abstract

dc:description.abstract

The sculptural environments I create immerse the viewer in a decrepit vaudevillian past. The sculptures allude to narratives within Community Theater as well as the Drag Show. Making becomes an act; manipulating materials such as synthetic hair and paint are associated with the guise of the makeup artist. Frantic rehearsal logic prevails as a dress is repurposed into a male giant's costume and window blinds are used to construct a boat's deck. This collusion asks the viewer to transgress the boundary of the stage, becoming a voyeur privileged to the world of exiled props and role reversal.

Degree

thesis:*
Name thesis:degree_name
Master of Fine Arts
Level thesis:degree_level
Thesis
Discipline thesis:degree_discipline
Sculpture
Year dc:date.available
2008

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Kessler, Eli Mikael

Subjects

dc:subject × 22

Rights

dc:rights
Statement dc:rights
  • © The Author

Identifiers

dc:identifier.*
OAI identifier oai:identifier
oai:scholarscompass.vcu.edu:etd-1648

Chain of custody

source
Harvested from
Virginia Commonwealth University
Base URL
scholarscompass.vcu.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Kessler, Eli Mikael. One Hundred and Fifty Percent Elasticity. Thesis thesis, 2008. https://doi.org/10.25772/SYSN-HN35