{"id":{"repo_id":"vcu","oai_identifier":"oai:scholarscompass.vcu.edu:etd-1648"},"canonical_url":"https://search.dev.ndltd.org/etd/vcu/oai:scholarscompass.vcu.edu:etd-1648","repository":{"repo_id":"vcu","name":"Virginia Commonwealth University","base_url":"https://scholarscompass.vcu.edu/do/oai/"},"display":{"title":"One Hundred and Fifty Percent Elasticity","abstract":"The sculptural environments I create immerse the viewer in a decrepit vaudevillian past. The sculptures allude to narratives within Community Theater as well as the Drag Show. Making becomes an act; manipulating materials such as synthetic hair and paint are associated with the guise of the makeup artist. Frantic rehearsal logic prevails as a dress is repurposed into a male giant's costume and window blinds are used to construct a boat's deck. 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The sculptures allude to narratives within Community Theater as well as the Drag Show. Making becomes an act; manipulating materials such as synthetic hair and paint are associated with the guise of the makeup artist. Frantic rehearsal logic prevails as a dress is repurposed into a male giant's costume and window blinds are used to construct a boat's deck. This collusion asks the viewer to transgress the boundary of the stage, becoming a voyeur privileged to the world of exiled props and role reversal."]},{"key":"dc:title","label":"Title","values":["One Hundred and Fifty Percent Elasticity"]}]}],"canonical_facts":{"dc:creator":["Kessler, Eli Mikael"],"dc:date.available":["2014-07-09T07:00:00Z"],"dc:description.abstract":["The sculptural environments I create immerse the viewer in a decrepit vaudevillian past. The sculptures allude to narratives within Community Theater as well as the Drag Show. Making becomes an act; manipulating materials such as synthetic hair and paint are associated with the guise of the makeup artist. Frantic rehearsal logic prevails as a dress is repurposed into a male giant's costume and window blinds are used to construct a boat's deck. This collusion asks the viewer to transgress the boundary of the stage, becoming a voyeur privileged to the world of exiled props and role reversal."],"dc:identifier":["https://doi.org/10.25772/SYSN-HN35","https://scholarscompass.vcu.edu/etd/649"],"dc:rights":["© The Author"],"dc:subject":["vaudeville","prop","role reversal","makeup","glam rock","Julian Eltinge","David Bowie","Ziggy Stardust","Fashion","Costume","Illusion","Uncanny","Thomas Edison","Drama","Sculpture","Theater","Transitory Sleeves","From Farce to Tragedy","stage","kinetoscope","Art and Design","Arts and Humanities"],"dc:title":["One Hundred and Fifty Percent Elasticity"],"thesis:degree_discipline":["Sculpture"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Fine Arts"]},"updated_at":"2026-07-24T05:54:11Z"}