Tele: Using Vernacular Performance Practices in an Eight-Channel Environment

Examines the use of vernacular, country guitar styles in an electro-acoustic environment. Special attention is given to performance practices and explanation of techniques. Electro-acoustic techniques-including sound design and spatialization-are given with sonogram analyses and excerpts from the score. Compositional considerations are contrasted with those of Mario Davidovsky and Jean-Claude Risset with special emphasis on electro-acoustic approaches. Contextualization of the piece in reference to other contemporary, electric guitar music is shown with reference to George Crumb and Chiel Meijering.

Grantor dc:publisher

University of North Texas

Year dc:date

2003

Author dc:creator

• Welch, Chapman

Contributors dc:contributor

• Rovan, Joseph
• Nelson, Jon Christopher
• Klein, Joseph, 1962-

• Electric guitar music -- History and criticism.
• Electronic music -- History and criticism.
• Computer music -- Analysis, appreciation.
• Electric guitar and electronic music -- Scores.
• TELE
• performance practice
• vernacular
• eight-channel
• guitar music
• electronic music
• electro-acoustic

Statement dc:rights

• Public
• Copyright
• Welch, Chapman
• Copyright is held by the author, unless otherwise noted. All rights reserved.

Language dc:language

English

Identifier

oclc: 53893657
https://digital.library.unt.edu/ark:/67531/metadc4282/
ark: ark:/67531/metadc4282

OAI identifier oai:identifier

info:ark/67531/metadc4282