Back to results

University of Illinois at Urbana-Champaign

Liturgical jazz: the lineage of the subgenre in the music of Edgar E. Summerlin

Abstract

dc:description

This dissertation discusses the lineage of liturgical jazz with a particular focus on Edgar Eugene “Ed” Summerlin (1928-2006). This lineage stretches back into the late 1950s, but has largely been unexplored beyond a select few high-profile artists. I trace the evolution of liturgical jazz from several composers’ earliest attempts to the present day. Although the liturgical jazz movement began in the late 1950s, it was primarily a product of the turbulent 1960s in America. This was a period of great change and exploration not only in jazz but in organized religion as well. A deep and frank discussion emerged as to what liturgical music should and would be allowed to sound like. These decisions at the highest levels of denominations had ramifications that are still being felt today in the churches of America; however, the primary focus of this dissertation is on the formative period of liturgical jazz during the 1960s and early 1970s. These years give a basis for better understanding and appreciating the development and defining features of liturgical jazz. Summerlin is a figure that is often cited as a pioneer in liturgical jazz, but no one has offered a history of his life, his music, or why his liturgical music was so revolutionary. This dissertation gives an extensive history of Summerlin and his music. It also creates a clear timeline of the early formation and evolution of this subgenre of jazz.

Degree

thesis:*
Name thesis:degree_name
A.Mus.D.
Level thesis:degree_level
Dissertation
Discipline thesis:degree_discipline
Music
Grantor
University of Illinois at Urbana-Champaign
Year dc:date
2017

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Cordoba, Derick
Contributors dc:contributor
  • Solis, Gabriel
  • Gray, Lawrence
  • Carrillo, Tito
  • Lund, Erik

Subjects

dc:subject × 2

Rights

dc:rights
Statement dc:rights
  • Copyright 2017 Derick Cordoba
Language dc:language
en

Identifiers

dc:identifier.*
Handle dc:identifier
http://hdl.handle.net/2142/97352
OAI identifier oai:identifier
oai:www.ideals.illinois.edu:2142/97352

Chain of custody

source
Harvested from
University of Illinois - Urbana-Champaign
Base URL
www.ideals.illinois.edu/oai-pmh
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Cordoba, Derick. Liturgical jazz: the lineage of the subgenre in the music of Edgar E. Summerlin. Dissertation thesis, University of Illinois at Urbana-Champaign, 2017. http://hdl.handle.net/2142/97352