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University of Illinois at Urbana-Champaign

The Renaissance Reception of Terence: Grueninger's Editions of Terence, Strasbourg, 1496/1499

Abstract

dc:description

The frontispieces succeed in focusing the play for readers. However, the frontispieces and texts are a distorting lens in two respects. The central mediating characters are often very minor characters in the plays themselves, and Terentian ambiguity is systematically ignored. Things are magnified or suppressed to fit the overall schema. Gruninger's editions feature a compelling synergy of text and image. An explicit literary theory rules both, and on occasion overrules Terence himself.

Degree

thesis:*
Name thesis:degree_name
Ph.D.
Level thesis:degree_level
Dissertation
Discipline thesis:degree_discipline
Classical Philology
Grantor
University of Illinois at Urbana-Champaign
Year dc:date
2015

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Worley, Athanasia L.J.Dollmetsh
Contributors dc:contributor
  • J. Kevin Newman

Subjects

dc:subject × 1

Rights

Language dc:language
eng

Identifiers

dc:identifier.*
Identifier
(MiAaPQ)AAI9737294
OAI identifier oai:identifier
oai:www.ideals.illinois.edu:2142/87460

Chain of custody

source
Harvested from
University of Illinois - Urbana-Champaign
Base URL
www.ideals.illinois.edu/oai-pmh
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
related terms
citation

Worley, Athanasia L.J.Dollmetsh. The Renaissance Reception of Terence: Grueninger's Editions of Terence, Strasbourg, 1496/1499. Dissertation thesis, University of Illinois at Urbana-Champaign, 2015. http://hdl.handle.net/2142/87460