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University of Illinois at Urbana-Champaign

Travelling in Language and Image: Representing Alterity in French Romantic Fiction, Travel Narrative, Journalism, and Art, 1830--1870

Abstract

dc:description

"In his discussion of the importance of theorizing about ""pictures"" and their relationship to ""words,"" W. J. T. Mitchell states that ""the tensions between visual and verbal representations are inseparable from struggles in cultural politics and political culture"" (3). The present study examines the implications of such tensions in the works of nineteenth-century artists and authors who often defined and influenced ""cultural politics"" and reflected ""political culture"" of their time: Delacroix, Fromentin, Sand, and Merimee. The mid-nineteenth-century nascent ""society of the spectacle,"" to use Guy Debord's term, bearing the impact of colonization, political changes, an esthetic/scientific revolution of photography, and commercialization of works of art, represented a fertile ground for discussions on problems and politics of representation. An analysis of visual and discursive representations of alterity in the works by these authors is, therefore, an inquiry into an important cultural phenomenon of French society during the Romantic period. This study suggests that having appropriated the theme of the competition---or collaboration---between images and words, vision and language, visuality and discursivity, the works by Delacroix, Fromentin, Sand, and Merimee represent alterity in a way that is plural, unstable, and at times inconsistent with or even critical of dominant discourses. Their complexity, introspection, and novelistic ""inconclusiveness,"" to use M. Bakhtin's term, indicate that the theme of exoticism and travel did not represent an end in itself, but rather served as a vehicle for discussions on contemporary esthetics, human nature, subjectivity, artistic mission, and the role and place of visual culture in modern society."

Degree

thesis:*
Name thesis:degree_name
Ph.D.
Level thesis:degree_level
Dissertation
Discipline thesis:degree_discipline
French
Grantor
University of Illinois at Urbana-Champaign
Year dc:date
2015

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Shvets, Eteri
Contributors dc:contributor
  • Talbot, Emile J.

Subjects

dc:subject × 1

Rights

Language dc:language
eng

Identifiers

dc:identifier.*
Identifier
(MiAaPQ)AAI3111638
OAI identifier oai:identifier
oai:www.ideals.illinois.edu:2142/86268

Chain of custody

source
Harvested from
University of Illinois - Urbana-Champaign
Base URL
www.ideals.illinois.edu/oai-pmh
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Shvets, Eteri. Travelling in Language and Image: Representing Alterity in French Romantic Fiction, Travel Narrative, Journalism, and Art, 1830--1870. Dissertation thesis, University of Illinois at Urbana-Champaign, 2015. http://hdl.handle.net/2142/86268