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University of Illinois at Urbana-Champaign

Standing and Conflating: A Dialogic Model for Interdisciplinarity in Composition

Abstract

dc:description

Aesthetically described as a dyhedral figure, the relation between standing and conflating has been derived in part out of a conceptualization of critical dialogue and is defined by forms and degrees of alternation that produce relations of dependency and resistance between interdisciplinary compositional elements.

Degree

thesis:*
Name thesis:degree_name
D.Mus.
Level thesis:degree_level
Dissertation
Discipline thesis:degree_discipline
Music
Grantor
University of Illinois at Urbana-Champaign
Year dc:date
2015

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Yampolschi, Roseane
Contributors dc:contributor
  • Brooks, William

Subjects

dc:subject × 1

Rights

Language dc:language
eng

Identifiers

dc:identifier.*
Identifier
(MiAaPQ)AAI9717350
OAI identifier oai:identifier
oai:www.ideals.illinois.edu:2142/85837

Chain of custody

source
Harvested from
University of Illinois - Urbana-Champaign
Base URL
www.ideals.illinois.edu/oai-pmh
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Yampolschi, Roseane. Standing and Conflating: A Dialogic Model for Interdisciplinarity in Composition. Dissertation thesis, University of Illinois at Urbana-Champaign, 2015. http://hdl.handle.net/2142/85837