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University of Illinois at Urbana-Champaign

Through the Prism of the Wellspring: From National, to Societal, to Individual in Marin Goleminov's String Quartets

Abstract

dc:description

This thesis examines three works for string quartet by Bulgarian composer Marin Goleminov written between 1943 and1968, a pivotal period in his creative process that bore witness to the crystallization of his unique artistic voice and compositional style. During this time, he confronted the expression of national sentiment and tradition, followed by inclusion of societal ideals and socialist aesthetics, finally to arrive at the clear articulation of his own individualized soundworld and perspective. The historical and political context of the time clearly influenced the development of his musical style; however, the mature and distinct voice that emerged during the 1960s and continued through the remainder of his career has roots that can be traced back to his first compositions. This thesis seeks to examine how governmental and societal parameters as well as personal choice were integral to the development of Goleminov's later style. Following an initial chapter of biographical information, the second chapter examines the cultural environment surrounding the composition of Goleminov's Starobulgarski Quartet and focuses namely on Bulgaria's pursuit of a national musical style in conjunction with the composer's hypotheses concerning the origins of Bulgarian folk and religious music. The third chapter discusses Five Sketches, one of Goleminov's suites for string quartet, and addresses the impact that socialist realism had on his musical style, particularly with respect to form, harmonic language, and overall accessibility. The final chapter is about the Microquartet, Goleminov's fourth quartet, and provides a more in-depth examination of his mature artistic voice that began in the 1960s, focusing on his understanding of the quartet idiom, choice of harmonic language, stylistic trademarks, and structural approach, many of which are rooted in Bulgarian folk traditions.

Degree

thesis:*
Name thesis:degree_name
A.Mus.D.
Level thesis:degree_level
Dissertation
Discipline thesis:degree_discipline
Music
Grantor
University of Illinois at Urbana-Champaign
Year dc:date
2015

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Flesner, Diana Jeanne
Contributors dc:contributor
  • Buchanan, Donna A.

Subjects

dc:subject × 1

Rights

Language dc:language
eng

Identifiers

dc:identifier.*
Identifier
(MiAaPQ)AAI3362783
OAI identifier oai:identifier
oai:www.ideals.illinois.edu:2142/85811

Chain of custody

source
Harvested from
University of Illinois - Urbana-Champaign
Base URL
www.ideals.illinois.edu/oai-pmh
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
related terms
citation

Flesner, Diana Jeanne. Through the Prism of the Wellspring: From National, to Societal, to Individual in Marin Goleminov's String Quartets. Dissertation thesis, University of Illinois at Urbana-Champaign, 2015. http://hdl.handle.net/2142/85811