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University of Illinois at Urbana-Champaign

"""The Form Must Be Ripped Endlessly Open"": Narrative and Gesture in the Late Music of Stefan Wolpe"

Abstract

dc:description

Two of the gesture types identified relate directly to Wolpe's preoccupation with opposition: interruption and clearing. The interruption gesture type occurs frequently as means to introduce and integrate extreme contrasts. Influencing the music on a more global scale, the clearing gesture is a more forceful application of opposition; its appearance signals a major shift in the trajectory of a work. While interruption and clearing involve redirection of narrative, the continuation gesture is used as a means of prolongation. Wolpe uses the coalescence gesture as a kind of cadence. Like a traditional cadence coalescence provides a moment of repose; however, unlike traditional cadences this does not result in a feeling of resolution or closure.

Degree

thesis:*
Name thesis:degree_name
D.M.A.
Level thesis:degree_level
Dissertation
Discipline thesis:degree_discipline
Music
Grantor
University of Illinois at Urbana-Champaign
Year dc:date
2015

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Drews, Michael R.
Contributors dc:contributor
  • Garnett, Guy E.

Subjects

dc:subject × 1

Rights

Language dc:language
eng

Identifiers

dc:identifier.*
Identifier
(MiAaPQ)AAI3269881
OAI identifier oai:identifier
oai:www.ideals.illinois.edu:2142/85785

Chain of custody

source
Harvested from
University of Illinois - Urbana-Champaign
Base URL
www.ideals.illinois.edu/oai-pmh
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
related terms
citation

Drews, Michael R.. """The Form Must Be Ripped Endlessly Open"": Narrative and Gesture in the Late Music of Stefan Wolpe". Dissertation thesis, University of Illinois at Urbana-Champaign, 2015. http://hdl.handle.net/2142/85785