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University of Illinois at Urbana-Champaign

Between Wildness and Art: Ecology and Agency in Victorian Literature

Abstract

dc:description

This dissertation investigates literary depictions of the relationship between humans and non-human nature in the context of the dramatic changes to physical and ideological landscapes that characterized the Victorian period. This study challenges the contemporary critical vocabulary of Ecocriticism and its focus on wilderness through a detailed study of the Victorian response to humanly shaped landscapes. Encompassing the major genres of Victorian literature---novels, poetry, and non-fiction prose---it examines the ways in which Victorian texts witness and describe ecological degradation and, more importantly, how they assign responsibility for that degradation. The dissertation begins with an interpretation of Charlotte Bronte's Shirley, a novel which depicts a passive acceptance of changes wrought by industry. This model, illustrative of the predicament of the Victorian ecological consciousness generally, recognizes ecological degradation but is unable or unwilling to assign blame for it. The project complicates this view of Victorian passivity with an investigation of the ecological consciousness epitomized by the popular Victorian figure of the naturalist. The naturalist, as represented in the novels of George Eliot and Elizabeth Gaskell and, above all, by the iconic figure of Gilbert White of Selborne, presents a sympathetic attentiveness to non-human nature, but without significant activity on its behalf. This dissertation goes on to argue that the idea of human responsibility for non-human degradation, though uncommon in the Victorian period, can be found in several key texts. George Eliot's character, Adam Bede, is a literal and metaphoric steward, taking both care and responsibility for the non-human world. Gerard Manley Hopkins's theologically-inflected journals and poetry deploy the notion of human sinfulness to call for accountability for the destruction of non-human nature. And Richard Jefferies's essays and novels offer a future-oriented view of Victorian agriculture and industry that projects the consequences of pollution and mechanized agriculture within an ecological framework.

Degree

thesis:*
Name thesis:degree_name
Ph.D.
Level thesis:degree_level
Dissertation
Discipline thesis:degree_discipline
English
Grantor
University of Illinois at Urbana-Champaign
Year dc:date
2015

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Lipscomb, Susan Rae Bruxvoort
Contributors dc:contributor
  • Julia F. Saville

Subjects

dc:subject × 1

Rights

Language dc:language
eng

Identifiers

dc:identifier.*
Identifier
(MiAaPQ)AAI3199070
OAI identifier oai:identifier
oai:www.ideals.illinois.edu:2142/81416

Chain of custody

source
Harvested from
University of Illinois - Urbana-Champaign
Base URL
www.ideals.illinois.edu/oai-pmh
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Lipscomb, Susan Rae Bruxvoort. Between Wildness and Art: Ecology and Agency in Victorian Literature. Dissertation thesis, University of Illinois at Urbana-Champaign, 2015. http://hdl.handle.net/2142/81416