Back to results

University of Illinois at Urbana-Champaign

"The Medieval Bestiary In The Golden Age: Allegory And Emblem In Gracian's ""el Criticon"" (physiologus, Carnival, Grotesque, Beast, Mask)"

Abstract

dc:description

The perpetual problems of pessimism versus optimism and Christianity versus secularity in El Criticon have always been issues without resolution. Many critics erroneously assume that because Gracian was a Jesuit and Spain a Catholic country that therefore El Criticon was an optimistic, Christian work. Through an examina- tion of the role of the medieval bestiary and emblem literature in El Criticon, this thesis endeavors to prove that such a premise is unacceptable.

Degree

thesis:*
Name thesis:degree_name
Ph.D.
Level thesis:degree_level
Dissertation
Discipline thesis:degree_discipline
Spanish
Grantor
University of Illinois at Urbana-Champaign
Year dc:date
2014

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Gaylord, Kathleen Sue

Subjects

dc:subject × 1

Identifiers

dc:identifier.*
Identifier
(UMI)AAI8623302
OAI identifier oai:identifier
oai:www.ideals.illinois.edu:2142/70975

Chain of custody

source
Harvested from
University of Illinois - Urbana-Champaign
Base URL
www.ideals.illinois.edu/oai-pmh
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Gaylord, Kathleen Sue. "The Medieval Bestiary In The Golden Age: Allegory And Emblem In Gracian's ""el Criticon"" (physiologus, Carnival, Grotesque, Beast, Mask)". Dissertation thesis, University of Illinois at Urbana-Champaign, 2014. http://hdl.handle.net/2142/70975