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University of Illinois at Urbana-Champaign

The String Chamber Style and the String Quintet Medium in the Nineteenth Century

Abstract

dc:description

This study examines chamber style in the nineteenth century from the perspective of composition and performance, and demonstrates the role of scoring in the definition of string chamber style. Scoring, the specific manner in which musical content is assigned to instrumental timbres and then distributed among the parts, is discussed as an integral part of the composition and performance of chamber music. Changes in the view of chamber style during the nineteenth century show that instrumental parity in late Romantic string chamber music was gradually achieved as part of a stylistic process. Scoring is the musical element in which the growth and intensification of the meaning of chamber style occurred. The distinctive features of the string quintet are described in terms of sonority, breadth of form, and balance.

Degree

thesis:*
Name thesis:degree_name
D.M.A.
Level thesis:degree_level
Dissertation
Discipline thesis:degree_discipline
Music
Grantor
University of Illinois at Urbana-Champaign
Year dc:date
2014

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Wheeler, Margaret Jean
Contributors dc:contributor
  • Temperley, Nicholas

Subjects

dc:subject × 1

Identifiers

dc:identifier.*
Identifier
(UMI)AAI9503350
OAI identifier oai:identifier
oai:www.ideals.illinois.edu:2142/70875

Chain of custody

source
Harvested from
University of Illinois - Urbana-Champaign
Base URL
www.ideals.illinois.edu/oai-pmh
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
related terms
citation

Wheeler, Margaret Jean. The String Chamber Style and the String Quintet Medium in the Nineteenth Century. Dissertation thesis, University of Illinois at Urbana-Champaign, 2014. http://hdl.handle.net/2142/70875