Abstract
dc:descriptionThis thesis examines the Golgotha oratorio, composed by Frank Martin at the height of his creative power. It succeeds Le Vin herbe, in which Martin reached a compositional style that satisfied him, and In Terra Pax, his first oratorio on Biblical texts. Writing immediately following World War II, the composer reflects a reaction to the catastrophe of the war years similar to that of other composers who created a sacred work of major dimensions. Although little known in America, Golgotha deserves a place in the history of the Passion.
Degree
thesis:*- Name thesis:degree_name
- D.M.A.
- Level thesis:degree_level
- Dissertation
- Discipline thesis:degree_discipline
- Music
- Grantor
- University of Illinois at Urbana-Champaign
- Year dc:date
- 2014
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Melroy, Mardia
- Contributors dc:contributor
-
- Ringer, Alexander L.
Subjects
dc:subject × 3Identifiers
dc:identifier.*- Identifier
- (UMI)AAI8908777
- OAI identifier oai:identifier
- oai:www.ideals.illinois.edu:2142/70871