Abstract
dc:descriptionThree major theses are argued in this study. One is that conceptions of art have radically altered during the past hundred years. Before the end of the nineteenth century, works of art were conceived as moral phenomena; i.e., as objects which reflected the moral character of their makers, and required virtue on the part of viewers for proper appreciation. Toward the end of the nineteenth century, this perspective was abandoned by many theorists. Art came to be understood as a nonmoral, "aesthetic" object.
Degree
thesis:*- Name thesis:degree_name
- Ph.D.
- Level thesis:degree_level
- Dissertation
- Discipline thesis:degree_discipline
- Education
- Grantor
- University of Illinois at Urbana-Champaign
- Year dc:date
- 2014
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Amburgy, Patricia Marie
Subjects
dc:subject × 1Identifiers
dc:identifier.*- Identifier
- (UMI)AAI8600114
- OAI identifier oai:identifier
- oai:www.ideals.illinois.edu:2142/69012