Abstract
dc:descriptionAlthough temptation appears in all drama, every age defines problems of choice and conscience in unique ways, thus explaining temptation with unique concepts. Although now we analyze problems of moral choice in terms of the modern psychology to which we are accustomed, the Renaissance interpreted temptation in the light of religious beliefs inherited from medieval culture. Shakespeare's contemporaries held that each of the temptations of Adam and Eve recurred in the devil's testing of Christ in the wilderness, and thought that in both instances the lures used represented types of the temptations diabolically designed to ensnare humanity. Furthermore, exegetes constructed a psychology of temptation and of its resistance. Both the biblical episodes and the commentary upon them furnished authors with ready-made patterns for literary episodes.
Degree
thesis:*- Name thesis:degree_name
- Ph.D.
- Level thesis:degree_level
- Dissertation
- Discipline thesis:degree_discipline
- English
- Grantor
- University of Illinois at Urbana-Champaign
- Year dc:date
- 2014
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Holloway, Brian Ray
Subjects
dc:subject × 1Rights
- Language dc:language
- eng
Identifiers
dc:identifier.*- Identifier
- (UMI)AAI8127609
- OAI identifier oai:identifier
- oai:www.ideals.illinois.edu:2142/66343