University of Illinois at Urbana-Champaign
Marginal formations and the production of culture: The case of college music
Abstract
dc:descriptionDuring the 1980s, college music--music disseminated over the air waves of college radio stations and/or produced in college environments--emerged onto the national (and international) scene; it earned its own trade paper, the College Music Journal, its own chart in Rolling Stone, and it became the subject of music industry seminars. Today, local and regional scenes abound with low-budget fanzines which help to create identities for unknowns, and with artists who put out records on independent record labels or on their own.
Degree
thesis:*- Name thesis:degree_name
- Ph.D.
- Level thesis:degree_level
- Dissertation
- Discipline thesis:degree_discipline
- Communication
- Grantor
- University of Illinois at Urbana-Champaign
- Year dc:date
- 2011
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Kruse, Holly Cecilia
- Contributors dc:contributor
-
- Grossberg, Lawrence
Subjects
dc:subject × 3Rights
dc:rights- Statement dc:rights
-
- Copyright 1995 Kruse, Holly Cecilia
- Language dc:language
- eng
Identifiers
dc:identifier.*- Identifier
-
AAI9543635
(UMI)AAI9543635 - OAI identifier oai:identifier
- oai:www.ideals.illinois.edu:2142/22958