Back to results

University of Illinois at Urbana-Champaign

An approach for the separation of voices in composite musical signals

Abstract

dc:description

"The simultaneous presentation of several sound sources in a performance setting is fundamental to most music. Ensemble musical signals consist of superpositions of multiple distinct sonic events which may or may not be synchronized in time, frequency, and/or amplitude. Once the distinct events are combined and recorded in a storage medium, e.g., a digital recording, the composite signal is often unsatisfactory in some way: the recording might suffer from poor ensemble balance, performance errors, or corruption from undesired background audience noises (sneezing, talking, etc.). Although it often might be helpful to process the constituent signals independently, separating the composite signal into its parts is a nontrivial task. The research reported here considers particular aspects of the separation problem: analysis, identification, tracking, and resynthesis of a specified voice from a digital recording of a musical duet setting. Analysis is accomplished out of real-time using a quasi-harmonic, sinusoidal representation of the constituent signals, based on short-time Fourier transform (STFT) methods. The procedure is evaluated via resynthesis of a ""desired"" signal from the composite analysis and tracking data. Other applications include signal restoration, digital editing and splicing, musique concrete, noise reduction, and time-scale compression/expansion. This material is based upon work supported, in part, under a National Science Foundation Graduate Fellowship. Any opinions, findings, conclusions, or recommendations expressed in this publication are those of the author and do not necessarily reflect the views of the National Science Foundation."

Degree

thesis:*
Name thesis:degree_name
Ph.D.
Level thesis:degree_level
Dissertation
Discipline thesis:degree_discipline
Electrical Engineering
Grantor
University of Illinois at Urbana-Champaign
Year dc:date
2011

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Maher, Robert Crawford
Contributors dc:contributor
  • Beauchamp, James W.

Subjects

dc:subject × 3

Rights

dc:rights
Statement dc:rights
  • Copyright 1989 Maher, Robert Crawford
Language dc:language
eng

Identifiers

dc:identifier.*
Identifier
AAI8924891
(UMI)AAI8924891
OAI identifier oai:identifier
oai:www.ideals.illinois.edu:2142/22345

Chain of custody

source
Harvested from
University of Illinois - Urbana-Champaign
Base URL
www.ideals.illinois.edu/oai-pmh
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Maher, Robert Crawford. An approach for the separation of voices in composite musical signals. Dissertation thesis, University of Illinois at Urbana-Champaign, 2011. http://hdl.handle.net/2142/22345