Abstract
dc:descriptionMost studies of American metafiction tend to subsume that movement within the larger category of a self reflexive narrative tradition beginning with Lawrence Sterne and fluidly developing through the modernist experimentation of Joyce, Woolf, and Faulkner to the more recent subversion of modernist possibilities in fictions by Borges, Robbe-Grillet, and John Barth. Typically, these studies also encounter the need to define contemporary metafictions as postmodern. As a result, metafiction becomes both the logical extension of a developing narrative tradition and definitive of the postmodern.
Degree
thesis:*- Name thesis:degree_name
- Ph.D.
- Level thesis:degree_level
- Dissertation
- Discipline thesis:degree_discipline
- English
- Grantor
- University of Illinois at Urbana-Champaign
- Year dc:date
- 2011
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Jakaitis, John Michael
- Contributors dc:contributor
-
- Nelson, Cary
Subjects
dc:subject × 1Rights
dc:rights- Statement dc:rights
-
- Copyright 1990 Jakaitis, John Michael
- Language dc:language
- eng
Identifiers
dc:identifier.*- Identifier
-
AAI9021700
(UMI)AAI9021700 - OAI identifier oai:identifier
- oai:www.ideals.illinois.edu:2142/21981