University of Illinois at Urbana-Champaign
"A comparative analysis of 18 settings of Petrarch's ""Tutto'l dipiango; e poi la notte, quando"""
Abstract
dc:description"This thesis compares eighteen different musical settings of the Petrarch sonnet ""Tutto'l di piango; e poi la notte, quando."" These settings include two unattributed recitation formulas from the Rocco Rodio Anthology and the Bottegari Lutebook, thirteen polyphonic settings by two anonymous composers, Girolamo Scotto, Cipriano de Rore, Vincenzo Ruffo, Sperindio Bertholdo, Francesco della Viola, Dominico Magiello, Orlando di Lasso, Francesco Portinaro, Filippo di Monte, and Luca Marenzio, and three monodies by Jacopo Peri, Giulio Caccini, and Sigismondo d'India. The purpose of the study is to trace the development of the relation of music and text in the Renaissance polyphonic and monodic madrigal. The Petrarch sonnet was chosen both because of the central literary importance of the trecento poet to the literary and musical aesthetics of sixteenth-century madrigal composers, and because of the stylistic breadth represented by the large number of musical settings of this particular sonnet."
Degree
thesis:*- Name thesis:degree_name
- D.M.A.
- Level thesis:degree_level
- Dissertation
- Discipline thesis:degree_discipline
- Music
- Grantor
- University of Illinois at Urbana-Champaign
- Year dc:date
- 2011
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Lloyd, Thomas
- Contributors dc:contributor
-
- Hill, John W.
Subjects
dc:subject × 1Rights
dc:rights- Statement dc:rights
-
- Copyright 1994 Lloyd, Thomas
- Language dc:language
- eng
Identifiers
dc:identifier.*- Identifier
-
AAI9512466
(UMI)AAI9512466 - OAI identifier oai:identifier
- oai:www.ideals.illinois.edu:2142/20850