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University of Illinois at Urbana-Champaign

"Wine, song, and the potens vates: The sympotic structure of Horace's ""Odes"""

Abstract

dc:description

Horace's sympotic odes dispel two assumptions that have captivated Horatian studies: (1) There is no linear thematic progression from one book of Odes to another, and (2) book IV represents a decline in Horace's lyric expression.

Degree

thesis:*
Name thesis:degree_name
Ph.D.
Level thesis:degree_level
Dissertation
Discipline thesis:degree_discipline
Classics
Grantor
University of Illinois at Urbana-Champaign
Year dc:date
2011

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Johnson, Timothy Scott
Contributors dc:contributor
  • Newman, John Kevin

Subjects

dc:subject × 3

Rights

dc:rights
Statement dc:rights
  • Copyright 1993 Johnson, Timothy Scott
Language dc:language
eng

Identifiers

dc:identifier.*
Identifier
AAI9329072
(UMI)AAI9329072
OAI identifier oai:identifier
oai:www.ideals.illinois.edu:2142/20738

Chain of custody

source
Harvested from
University of Illinois - Urbana-Champaign
Base URL
www.ideals.illinois.edu/oai-pmh
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Johnson, Timothy Scott. "Wine, song, and the potens vates: The sympotic structure of Horace's ""Odes""". Dissertation thesis, University of Illinois at Urbana-Champaign, 2011. http://hdl.handle.net/2142/20738