Abstract
dc:description"""Cecilian Reform in Baltimore, 1868-1903"" traces the reform of Roman Catholic liturgical music during one of its most controversial and least researched phases. Focusing on a single American city illustrates how a portion of the ethnically diverse, rapidly growing American Catholic church responded to the importation of a liturgical music aesthetic approved and eventually legislated by the Vatican. Baltimore, the first episcopal see of the Roman Catholic Church in the United States, has a history of ethnic and racial diversity among Catholic citizens, illustrating the progress of liturgical music reform in parishes serving different ethnic groups."
Degree
thesis:*- Name thesis:degree_name
- Ph.D.
- Level thesis:degree_level
- Dissertation
- Discipline thesis:degree_discipline
- Music
- Grantor
- University of Illinois at Urbana-Champaign
- Year dc:date
- 2011
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Silverberg, Ann Louise
- Contributors dc:contributor
-
- Temperley, Nicholas
Subjects
dc:subject × 3Rights
dc:rights- Statement dc:rights
-
- Copyright 1992 Silverberg, Ann Louise
- Language dc:language
- eng
Identifiers
dc:identifier.*- Identifier
-
AAI9236594
(UMI)AAI9236594 - OAI identifier oai:identifier
- oai:www.ideals.illinois.edu:2142/19943