Abstract
dc:descriptionIn the destabilized England and America of the 1930s, many artists turned to the documentary method for representing and interpreting social reality. But W. H. Auden came to question this approach in Letters from Iceland, Spain, and Journey to a War. All three works explore the powers and limits of perception. By offering competing and contradictory ways of seeing, they reveal a visual instability at the center of Auden's career--which prefigures the uneasy mixture of the external world and allegorized landscapes in the long poems. Crucial to Auden's experiments are his photographs in the travel books.
Degree
thesis:*- Name thesis:degree_name
- Ph.D.
- Level thesis:degree_level
- Dissertation
- Discipline thesis:degree_discipline
- English
- Grantor
- University of Illinois at Urbana-Champaign
- Year dc:date
- 2011
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Bryant, Marsha Carol
- Contributors dc:contributor
-
- Nelson, Cary
Subjects
dc:subject × 2Rights
dc:rights- Statement dc:rights
-
- Copyright 1989 Bryant, Marsha Carol
- Language dc:language
- eng
Identifiers
dc:identifier.*- Identifier
-
AAI8924778
(UMI)AAI8924778 - OAI identifier oai:identifier
- oai:www.ideals.illinois.edu:2142/18986