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University of Illinois at Urbana-Champaign
Petr Eben's oratorio Apologia Sokratus (1967) and ballet Curses and Blessings (1983): An interpretative analysis of the symbolism behind the text settings and musical style
Abstract
dc:descriptionMade available in DSpace on 2010-08-20T18:01:32Z (GMT). No. of bitstreams: 4 Matova_Nelly.pdf: 14172125 bytes, checksum: 221b568203633c0e067999cd57dcf663 (MD5) Matova_Nelly.doc: 23407104 bytes, checksum: 557b296d6a36576bb0af61a64ed72039 (MD5) 1_Matova_Nelly.pdf: 13528513 bytes, checksum: 0a6660e12867ffde745c3d3a8f99c359 (MD5) license.txt: 4060 bytes, checksum: acb0d0376951f1f7f5240e75ecab58b7 (MD5)
Degree
thesis:*- Name thesis:degree_name
- A.Mus.D.
- Level thesis:degree_level
- Dissertation
- Discipline thesis:degree_discipline
- Music
- Grantor
- University of Illinois at Urbana-Champaign
- Year dc:date
- 2010
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Matova, Nelly
- Contributors dc:contributor
-
- Buchanan, Donna A.
- Tipei, Sever
- Cooper, David L.
- Herrera, Ricardo
Subjects
dc:subject × 6Rights
dc:rights- Statement dc:rights
-
- Copyright 2010 Nelly Matova
- Language dc:language
- en
Identifiers
dc:identifier.*- Handle dc:identifier
- http://hdl.handle.net/2142/16908
- OAI identifier oai:identifier
- oai:www.ideals.illinois.edu:2142/16908