Petr Eben's oratorio Apologia Sokratus (1967) and ballet Curses and Blessings (1983): An interpretative analysis of the symbolism behind the text settings and musical style

Item marked as restricted to the 'Administrator' Group (id=1) by Sarah Shreeves (sshreeve@illinois.edu) on 2011-01-06T17:38:16Z Item is restricted until 2013-01-06T17:38:16Z

Name thesis:degree_name

A.Mus.D.

Level thesis:degree_level

Dissertation

Discipline thesis:degree_discipline

Music

Grantor

University of Illinois at Urbana-Champaign

Year dc:date

2010

Author dc:creator

• Matova, Nelly

Contributors dc:contributor

• Buchanan, Donna A.
• Tipei, Sever
• Cooper, David L.
• Herrera, Ricardo

• Eben
• Oratorio
• Apologia Sokratus
• Ballet
• Curses and blessings
• Choral music

Statement dc:rights

• Copyright 2010 Nelly Matova

Language dc:language

en

Handle dc:identifier

http://hdl.handle.net/2142/16908

OAI record oai:identifier

https://www.ideals.illinois.edu/oai-pmh?verb=GetRecord&metadataPrefix=etdms&identifier=oai%3Awww.ideals.illinois.edu%3A2142%2F16908