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University of Illinois at Urbana-Champaign

Public aesthetics and collaborative “post-studio” practices in South America 1960s-1970s

dc:creator Pinilla Gomez, Luis Gonzalo

thesis:degree_name Ph.D.

dc:date2024

Abstract

dc:description

Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2026-08-01

Degree

thesis:*

Name thesis:degree_name: Ph.D.
Level thesis:degree_level: Dissertation
Discipline thesis:degree_discipline: Art History
Grantor: University of Illinois at Urbana-Champaign
Year dc:date: 2024

Author and committee

dc:creator, dc:contributor.*

Author dc:creator: Pinilla Gomez, Luis Gonzalo
Contributors dc:contributor: Vázquez, Oscar E.
Weissman, Terri
Romberg, Kristin
Karam, John

Subjects

dc:subject × 7

Rights

dc:rights

Statement dc:rights: Copyright 2024 Gonzalo Pinilla
Language dc:language: en, eng

Identifiers

dc:identifier.*

Handle dc:identifier: https://hdl.handle.net/2142/125775
OAI identifier oai:identifier: oai:www.ideals.illinois.edu:2142/125775

Chain of custody

source

Harvested from: University of Illinois - Urbana-Champaign
Base URL: www.ideals.illinois.edu/oai-pmh
Last updated: 2026-07-22
Source record: OAI-PMH GetRecord

related terms

citation

Pinilla Gomez, Luis Gonzalo. Public aesthetics and collaborative “post-studio” practices in South America 1960s-1970s. Dissertation thesis, University of Illinois at Urbana-Champaign, 2024. https://hdl.handle.net/2142/125775

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