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University of Illinois at Urbana-Champaign

Narratives of self-violence in twentieth-century US literature

Abstract

dc:description

In twentieth-century US literature, which is often marked by profound violence and modernist isolation, suicide is pervasive. Ernest Hemingway’s anger toward his father’s suicide bleeding into his characters’ ideological apathy, Anne Sexton’s suicidal ideation written into verse, Langston Hughes’s lamentations about wishing for death, and writers like Kate Chopin, Edith Wharton, and Joan Didion imagining suicide as a metaphorical act of protest against gender roles are but a few of the diverse literary representations of suicide that inhabit the long twentieth century. Critical discussion of suicide—or moments even suspected as being suicide-related—in literature has historically adopted frameworks of intention and applied categorizing language (Is it a suicide? Does the character intend to die? Do they exert some sort of agency in doing so?). This emphasis on categorizing suicidal acts leaves little room for discussions of their textual meanings and narrative functions and prevents the possibility of investigating the (dis)connections between literary suicide and lived experience. This work offers new critical approaches that recognize suicide in literature as both a literary device and a nonliterary experience. Focusing on patterns of interpretation in criticism on literary self-violence—a term that I use to eliminates the need for categorization, as it refers to any act of violence towards oneself regardless of purpose or motive—I highlight the potential for harm in such patterns. Discussing the role that self-violence plays in the conceptualizion of the southern gothic and illuminating trends in twentieth-century US literature that romanticize the self-violence of female characters, conflate queerness and violence, and read the self-violence of Black characters as fatalistic or even essential to Black life, I also suggest alternative critical frameworks that can minimize the potential for harm in both scholarship and classrooms.

Degree

thesis:*
Name thesis:degree_name
Ph.D.
Level thesis:degree_level
Dissertation
Discipline thesis:degree_discipline
English
Grantor
University of Illinois at Urbana-Champaign
Year dc:date
2024

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Georgiou, Caitlyn
Contributors dc:contributor
  • Parker, Robert D
  • Jones, Jamie L
  • Hunt, Irvin J
  • Newcomb, John T

Subjects

dc:subject × 3

Rights

dc:rights
Statement dc:rights
  • Copyright 2024 Caitlyn Georgiou
Language dc:language
en, eng

Identifiers

dc:identifier.*
Handle dc:identifier
https://hdl.handle.net/2142/125750

Chain of custody

source
Harvested from
University of Illinois - Urbana-Champaign
Base URL
www.ideals.illinois.edu/oai-pmh
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Georgiou, Caitlyn. Narratives of self-violence in twentieth-century US literature. Dissertation thesis, University of Illinois at Urbana-Champaign, 2024. https://hdl.handle.net/2142/125750