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University of Illinois at Urbana-Champaign

Poetry in public: reperformance and publication of archaic Greek epigram

Abstract

dc:description

This dissertation examines Archaic Greek epigram in its context (cultural, historical, physical, etc.), with particular focus on its ancient reading and reception. My study contributes to our understanding of the performance culture of Archaic Greece, whereby, scholars have argued, poems and their meanings are intimately tied to their occasion and performative context. Epigram contributes in interesting ways to this narrative, for these inscribed texts are both tied to their physical and material contexts, and, as I argue with respect to our earliest examples, composed explicitly for future readers. In Chapter 2, I critique an interpretive frame based on the dichotomy of public and private and offer a conceptual model for studying epigram based on ancient concepts. I apply this model to two case studies, two Archaic cemeteries where multiple contemporary funerary epigrams survive. I reconstruct ancient readings of these texts, emphasizing their dialogue with one another and their contexts. In Chapter 3, I contribute to our understanding of the Greek symposium. I analyze some of our earliest Greek alphabetic texts alongside the poetry of Theognis, highlighting the themes of ownership, theft, reading, and reperformance at symposia. I then study the social relationships that are indicated in such texts, particularly philia, and I consider expressions of this discourse in other epigrammatic contexts, especially funerary. I conclude with a study of the word philemosyne, which appears in an interestingly broad variety of epigrams. In Chapter 4, I consider Simonides and perceived changes in epigrammatic commemoration at the end of the Archaic period. Such epigrams might be characterized as political or historical in nature, and I consider the applicability of concepts of authority to their study. I show how diverse individuals memorialized themselves via mnemata and indicate the complex processes by which such texts were received or rejected by their readers.

Degree

thesis:*
Name thesis:degree_name
Ph.D.
Level thesis:degree_level
Dissertation
Discipline thesis:degree_discipline
Classics
Grantor
University of Illinois at Urbana-Champaign
Year dc:date
2018

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Anderson, Adrian Sebastian
Contributors dc:contributor
  • Williams, Craig
  • Tzanetou, Angeliki
  • Bosak-Schroeder, Clara
  • Day, Joseph

Subjects

dc:subject × 15

Rights

dc:rights
Statement dc:rights
  • Copyright 2018 Adrian Sebastian Anderson
Language dc:language
en

Identifiers

dc:identifier.*
Handle dc:identifier
http://hdl.handle.net/2142/101304
OAI identifier oai:identifier
oai:www.ideals.illinois.edu:2142/101304

Chain of custody

source
Harvested from
University of Illinois - Urbana-Champaign
Base URL
www.ideals.illinois.edu/oai-pmh
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Anderson, Adrian Sebastian. Poetry in public: reperformance and publication of archaic Greek epigram. Dissertation thesis, University of Illinois at Urbana-Champaign, 2018. http://hdl.handle.net/2142/101304