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University of the Pacific

An analytical study of the Ravel orchestration of Mussorgsky's Pictures at an exhibition

Abstract

dc:description.abstract

In considering Maurice Ravel's orchestration of Mussorgsky’s Pictures At An Exhibition, this paper will consider the work of Ravel from two aspects. First, it will deal with Ravel as a classical craftsman as evident in this orchestration. Second, it will explore this work and in two of his original works in which color is of main importance and some of his characteristics as a colorist. These considerations will follow a preliminary background of Mussorgsky’s piano score, and extant editions thereof.

Degree

thesis:*
Name thesis:degree_name
Master of Arts (M.A.)
Level thesis:degree_level
Thesis
Discipline thesis:degree_discipline
Music
Year dc:date.available
1957

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Ball, Maclyn

Subjects

dc:subject × 8

Rights

dc:rights

Identifiers

dc:identifier.*
Repository record dc:identifier
https://scholarlycommons.pacific.edu/uop_etds/1365
OAI identifier oai:identifier
oai:scholarlycommons.pacific.edu:uop_etds-2364

Chain of custody

source
Harvested from
University of the Pacific
Base URL
scholarlycommons.pacific.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Ball, Maclyn. An analytical study of the Ravel orchestration of Mussorgsky's Pictures at an exhibition. Thesis thesis, 1957. https://scholarlycommons.pacific.edu/uop_etds/1365