{"id":{"repo_id":"u-pacific","oai_identifier":"oai:scholarlycommons.pacific.edu:uop_etds-2364"},"canonical_url":"https://search.dev.ndltd.org/etd/u-pacific/oai:scholarlycommons.pacific.edu:uop_etds-2364","repository":{"repo_id":"u-pacific","name":"University of the Pacific","base_url":"https://scholarlycommons.pacific.edu/do/oai/"},"display":{"title":"An analytical study of the Ravel orchestration of Mussorgsky's Pictures at an exhibition","abstract":"In considering Maurice Ravel's orchestration of Mussorgsky’s Pictures At An Exhibition, this paper will consider the work of Ravel from two aspects. First, it will deal with Ravel as a classical craftsman as evident in this orchestration. Second, it will explore this work and in two of his original works in which color is of main importance and some of his characteristics as a colorist. These considerations will follow a preliminary background of Mussorgsky’s piano score, and extant editions thereof.","abstract_html":"In considering Maurice Ravel's orchestration of Mussorgsky’s Pictures At An Exhibition, this paper will consider the work of Ravel from two aspects. First, it will deal with Ravel as a classical craftsman as evident in this orchestration. Second, it will explore this work and in two of his original works in which color is of main importance and some of his characteristics as a colorist. These considerations will follow a preliminary background of Mussorgsky’s piano score, and extant editions thereof.","abstract_has_math":false,"creators":["Ball, Maclyn"],"institution":null,"degree_name":"Master of Arts (M.A.)","degree_level":"Thesis","degree_discipline":"Music","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1957,"date_issued":"1957-01-01T08:00:00Z","date_published":"1957-01-01T08:00:00Z","updated_at":"2026-07-24T05:37:12Z","subjects":["Ravel","Maurice","1875-1937","Mussorgsky","Modest Petrovich","1839-1881 Kartinki s vystavki","Instrumentation and orchestration","Music"],"languages":[],"rights":[],"rights_urls":["http://rightsstatements.org/vocab/NKC/1.0/"],"identifier_entries":[]},"links":{"outbound_url":"https://scholarlycommons.pacific.edu/uop_etds/1365","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Ball, Maclyn"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2018-06-29T08:41:07Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (M.A.)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Ravel","Maurice","1875-1937","Mussorgsky","Modest Petrovich","1839-1881 Kartinki s vystavki","Instrumentation and orchestration","Music"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["http://rightsstatements.org/vocab/NKC/1.0/"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarlycommons.pacific.edu/uop_etds/1365"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["In considering Maurice Ravel's orchestration of Mussorgsky’s Pictures At An Exhibition, this paper will consider the work of Ravel from two aspects. First, it will deal with Ravel as a classical craftsman as evident in this orchestration. Second, it will explore this work and in two of his original works in which color is of main importance and some of his characteristics as a colorist. These considerations will follow a preliminary background of Mussorgsky’s piano score, and extant editions thereof."]},{"key":"dc:source","label":"Dc Source","values":["27"]},{"key":"dc:title","label":"Title","values":["An analytical study of the Ravel orchestration of Mussorgsky's Pictures at an exhibition"]}]}],"canonical_facts":{"dc:creator":["Ball, Maclyn"],"dc:date.available":["2018-06-29T08:41:07Z"],"dc:description.abstract":["In considering Maurice Ravel's orchestration of Mussorgsky’s Pictures At An Exhibition, this paper will consider the work of Ravel from two aspects. First, it will deal with Ravel as a classical craftsman as evident in this orchestration. Second, it will explore this work and in two of his original works in which color is of main importance and some of his characteristics as a colorist. These considerations will follow a preliminary background of Mussorgsky’s piano score, and extant editions thereof."],"dc:identifier":["https://scholarlycommons.pacific.edu/uop_etds/1365"],"dc:rights":["http://rightsstatements.org/vocab/NKC/1.0/"],"dc:source":["27"],"dc:subject":["Ravel","Maurice","1875-1937","Mussorgsky","Modest Petrovich","1839-1881 Kartinki s vystavki","Instrumentation and orchestration","Music"],"dc:title":["An analytical study of the Ravel orchestration of Mussorgsky's Pictures at an exhibition"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts (M.A.)"]},"updated_at":"2026-07-24T05:37:12Z"}