The relationship between the drama and the form in the sonata-allegro movement of Lulu

<p>Lulu, the second opera by Alban Berg, is not a unique creation, It is a synthesis of several theories of composition and a number of traditional compositional practices found in the history of Western music.</p><p>This paper will attempt to trace the relationship between the drama Lulu and Verg’s musical interpretation of the drama in the selection of the opera designated as the sonata-allegro movement (in Act I, Sc. ii and iii).</p>

Name thesis:degree_name

Master of Arts (M.A.)

Level thesis:degree_level

Thesis

Discipline thesis:degree_discipline

Conservatory of Music

Year dc:date.available

1973

Author dc:creator

• Stein, Donald A.

• Berg
• Alban
• 1885-1935 Lulu 1 Akt;Berg
• 1885-1935 Criticism and interpretation;University of the Pacific Dissertations
• Arts and Humanities
• Music

Licence

• http://rightsstatements.org/vocab/NKC/1.0/

Repository record dc:identifier

https://scholarlycommons.pacific.edu/uop_etds/422

OAI identifier oai:identifier

oai:scholarlycommons.pacific.edu:uop_etds-1421