Lulu, the second opera by Alban Berg, is not a unique creation, It is a synthesis of several theories of composition and a number of traditional compositional practices found in the history of Western music.
This paper will attempt to trace the relationship between the drama Lulu and Verg’s musical interpretation of the drama in the selection of the opera designated as the sonata-allegro movement (in Act I, Sc. ii and iii).
","abstract_html":"<p>Lulu, the second opera by Alban Berg, is not a unique creation, It is a synthesis of several theories of composition and a number of traditional compositional practices found in the history of Western music.</p><p>This paper will attempt to trace the relationship between the drama Lulu and Verg’s musical interpretation of the drama in the selection of the opera designated as the sonata-allegro movement (in Act I, Sc. ii and iii).</p>","abstract_has_math":false,"creators":["Stein, Donald A."],"institution":null,"degree_name":"Master of Arts (M.A.)","degree_level":"Thesis","degree_discipline":"Conservatory of Music","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1973,"date_issued":"1973-01-01T08:00:00Z","date_published":"1973-01-01T08:00:00Z","updated_at":"2026-07-24T05:36:21Z","subjects":["Berg","Alban","1885-1935 Lulu 1 Akt;Berg","1885-1935 Criticism and interpretation;University of the Pacific Dissertations","Arts and Humanities","Music"],"languages":[],"rights":[],"rights_urls":["http://rightsstatements.org/vocab/NKC/1.0/"],"identifier_entries":[]},"links":{"outbound_url":"https://scholarlycommons.pacific.edu/uop_etds/422","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Stein, Donald A."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2018-06-29T08:51:51Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Conservatory of Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (M.A.)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Berg","Alban","1885-1935 Lulu 1 Akt;Berg","1885-1935 Criticism and interpretation;University of the Pacific Dissertations","Arts and Humanities","Music"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["http://rightsstatements.org/vocab/NKC/1.0/"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarlycommons.pacific.edu/uop_etds/422"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Lulu, the second opera by Alban Berg, is not a unique creation, It is a synthesis of several theories of composition and a number of traditional compositional practices found in the history of Western music.
This paper will attempt to trace the relationship between the drama Lulu and Verg’s musical interpretation of the drama in the selection of the opera designated as the sonata-allegro movement (in Act I, Sc. ii and iii).
"]},{"key":"dc:source","label":"Dc Source","values":["210"]},{"key":"dc:title","label":"Title","values":["The relationship between the drama and the form in the sonata-allegro movement of Lulu"]}]}],"canonical_facts":{"dc:creator":["Stein, Donald A."],"dc:date.available":["2018-06-29T08:51:51Z"],"dc:description.abstract":["Lulu, the second opera by Alban Berg, is not a unique creation, It is a synthesis of several theories of composition and a number of traditional compositional practices found in the history of Western music.
This paper will attempt to trace the relationship between the drama Lulu and Verg’s musical interpretation of the drama in the selection of the opera designated as the sonata-allegro movement (in Act I, Sc. ii and iii).
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