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Texas State University

Dead Presidents to Represent Me? Hip-Hop's Conflicted Legacy of Power and Protest

Abstract

dc:description.abstract

Hip-hop has long served as a voice for marginalized communities, addressing issues such as systemic racism, economic inequality, and political oppression. From its early days with artists like Public Enemy, 2Pac, and N.W.A. to its modern mainstream dominance, the genre has shaped and been shaped by political discourse. This project examines hip-hop’s evolving relationship with politics across three distinct presidential eras: the Bush administration’s antigovernment sentiment, the hope and skepticism surrounding Obama’s presidency, and the complex shifts in artist allegiances during the Trump era. By analyzing key songs, artist statements, and cultural moments, this research highlights the ways hip-hop has both challenged and conformed to political shifts, questioning whether the genre still upholds its activist roots or has succumbed to commercial and ideological shifts.

Degree

thesis:*
Discipline thesis:degree_discipline
English
Grantor
Texas State University
Year dc:date.issued
2025

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Cortez, Marcus
Advisor dc:contributor.advisor
  • Leake, Eric

Subjects

dc:subject × 3

Rights

Language dc:language.iso
en

Identifiers

dc:identifier.*
Handle dc:identifier.uri
https://hdl.handle.net/10877/21655
OAI identifier oai:identifier
oai:digital.library.txst.edu:10877/21655

Chain of custody

source
Harvested from
Texas State University
Base URL
digital.library.txst.edu/server/oai/request
Last updated
2026-07-27
Source record
OAI-PMH GetRecord
citation

Cortez, Marcus. Dead Presidents to Represent Me? Hip-Hop's Conflicted Legacy of Power and Protest. Texas State University, 2025. https://hdl.handle.net/10877/21655